Michael Moore’s documentary about the bank robber barons behind America’s financial collapse will hit the theaters on October 2. Though the Venice Film Festival gave its premier four screenings, and a ten minute standing ovation, American editorials have of course begun to cut Moore down. The fimmaker’s tweets that the LA audience rose from their seats with torches and pitchforks, were quickly doused as hyperbole. Really? The celebrity theatergoers were really just rushing the catering tables. REALLY? That’s less probable.
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