Lannan liberals ensure John Pilger’s THE WAR YOU DON’T SEE remains a documentary Americans won’t see

John Pilger’s documentary THE WAR YOU DON’T SEE was due to make its US debut this week, before its Santa Fe venue, the Lannan Foundation, abruptly cancelled the event. Given less than two days notice, plane tickets cancelled on the personal direction of the foundation’s funder Patrick Lannan, with no explanation offered. Pilger details on Zcom his concern for what just days ago had been an enthusiastic venue. The Lannan organization still boasts it will be hosting Tariq Ali and Norman Finkelstein among others, so it’s hard to deduce where Pilger’s film crossed the line. My guess? Not just the role the US media plays in promoting war, but its bias toward you know who.

Here’s the trailer, available on johnpilger.com.

The War You Don’t See (trailer) from John Pilger on Vimeo.

Objectivity on local radio

Dec 5 procession
This week some colleagues and I marched on our knees to the Colorado College president’s office to present signed petitions which asked that the college radio station carry a news program called DEMOCRACY NOW! (Exclamation theirs.) We’ve yet to receive a reply, but I wanted to explain our actions.

First of all, what is DEMOCRACY NOW? DN is a daily radio and television news show out of New York City that stands nearly alone in covering the stories which are being kept out of the corporate owned media. For example, every year the Colorado Springs Independent covers the year’s ten most censored stories. DN reports those and more, usually as they happen.

Do you know the story of Khaled al-Masri, the German Muslim who is currently being represented by the ACLU in a lawsuit against the CIA, for unlawful abduction, rendition, incarceration and torture? DN reported his story a year ago, after al-Masri found himself freshly drugged and dropped into a field in Macedonia. His story sounded so strange but had the ring of truth to it. Experts were planning to analyze strands of his hair to verify his account. It took more than a year before al-Masri was able to break national news. In between, how many extra-judicial abductions have been allowed to take place?

And the recent attention paid to the U.S. use of Napalm, and their use of White Phosphor as a chemical weapon? DN reported such incidences from the very first day the U.S. assault began.

Why KRCC? Because local community radio station is our great hope, and our first impediment.

By now it is widely accepted that FOX and the network media are mouthpieces for corporate moneyed interests. People of education turn to NPR and the NYT for example for what they believe is the balanced picture. But it’s not, and critical thinkers are beginning to see that the media has been playing a good cop bad cop psych-op routine. One side of the media plays the good cop, with its supposed liberal bias, but ultimately has the same agenda as its partner.

The local community looks to KRCC as a trusted advocate of objective news. But a growing number who supplement their news from the internet and from the Indy see that NPR really doesn’t cut it anymore. Have you heard NPR advancing the “Christmas” vs “holiday” war-on-Christmas canard? Elsewhere this story has been exposed as a concoction of the far right, but NPR is dutifully giving it legs.

Why go to the president of CC? Because KRCC station manager Mario Valdes has repeatedly rebuked everyone’s requests. Community members have been after him for years and his reply has been the same. Mr. Valdes has even slandered the effort by categorizing it as a small minority who want a political bias on KRCC. No one is asking for bias, just objectivity. And the number of people who’ve made this request has not been small. And it’s always been growing.

Plenty of public radio stations have adopted DN and can provide wonderful testimonies. They testify that DN beats out Morning Edition and All Things Considered in popularity. In some cases DN is their leading fund-raiser. While it might be hard right now to mount a large rally in front of the station to advocate for this change, it’s clear that if KRCC carried DN, and then threatened to take it away, crowds would protest en mass.

What next? Give station manager Mario Valdes the chance to argue for what values he stands when he opposes DEMOCRACY NOW. Let’s hear beyond the arguments which NPR advances to try to stem their eroding control over their affiliates. NPR has always fought the intrusion of a spoiler like DN in their line-up because it significantly hampers their editorial discretion.

Let’s schedule a townhall meeting, a public debate. To make it interesting public viewing, let’s make it a tag team debate. If Mr. Valdes is so concerned that Colorado Springs is such an uneducated community, too easily put off by issues of social justice and human rights, let’s cater to his mythical plebeian audience. The debate can be tag team, open to all, WWF rules!

Mr. Valdes will then get to see just how small is the group of DN advocates. As we’ll see how many people share Mr Valdes’ opinion against more objectivity on KRCC. Mr Valdes may bring the support and sympathy of many listeners, but how many will stand up next to him to argue against freedom of the press, Democracy Now’s many prestigious journalism awards, and the growing movement to reclaim the airwaves for the people?

Reprinted from MyKRCC.org

Toons is discovered by Business Journal

Here’s a very nice article about the unique film collection at TOONS.
Reprinted from The Colorado Springs Business Journal:

‘Oasis’ for the offbeat
By BOZENA WELBORNE, Editorial Intern

Most people, when they think of Toons — if they’ve heard of the store at all — will envision a graffiti-ridden former gas station-turned-store on Nevada Avenue. Its location and its ambience make it a likely hangout for the Colorado College students in its vicinity.

But it’s much more than that. Toons actually draws much of its clientele from “working, commuting students from UCCS or other community colleges, as well as students who come by during the holidays,” said Eric Verlo, the founder of the music, video and vintage items store.

The store has an eclectic collection of videos, used albums and CDs, vintage posters and collectibles that run the gamut from “clairvoyant,” heat-sensitive gummy fish (the cheapest item in the store at 25 cents, and very popular with those CC students) to $2,000 vintage jukeboxes (the most expensive item and the least likely to be sold, Verlo says).

Most of the used goods come directly from the closets and attics of the Colorado Springs community. Generally, Toons will purchase used items at 50 percent of their original price, though it may vary according to the quality of the item or how many copies of the item Toons has in stock.

Toons’ owner is especially proud of the store’s diverse video collection, with 4,700 titles and maintains they are not merely hard-to-find videos, but videos the average person has “probably never even heard of.” What the store can’t make up in number, it makes up in the sheer diversity of its collection. There is also a very strong Eastern European film collection, as well as the obligatory French films.

Verlo emphasizes the highly academic nature of a portion of the collection, maintaining that many of the films are chosen specifically because of their sociopolitical or cultural significance.

Because the store carries such a diverse assortment of items diverging from the mainstream, Verlo is hard-pressed to identify any competitors. The most likely candidates would be Media Play, Best Buy and Blockbuster Video. Verlo says those retailers are just beginning to realize the potential of catering to the non-mainstream market, of “introducing people to new things,” and may increasingly compete directly with Toons.

Few people know that there are actually two Toons stores, one at 802 N. Nevada Ave., but also a less well-known store at 3163 W. Colorado Ave. The latter, actually called the Bookman, opened first in 1990, while the Nevada Avenue location opened at the site of an old gas station in 1993, in a conscious effort to drift away from the typical strip-mall-feel evident at many stores.

Verlo came up with the idea of opening such a store while visiting his retired parents in Colorado Springs. Verlo started contemplating what he would do after his own retirement and, considering his passion for books, decided that he would like to own a bookstore and thus, the initial idea of Toons was formed. Verlo’s unique life has also had an influence on the eclectic nature of the store. Verlo is a graduate of UCLA who has lived in France and the Philippines, and has traveled extensively.

Verlo estimates startup costs fell somewhere in the $10,000 range. Since the idea of the store was a gradual development, the inventory itself was gradually collected without a specific vision. So, the cost of accumulating the inventory wound up being more expensive. Today, Verlo knows that probably was not the best way to purchase the store’s inventory, but the method is responsible for the store’s unique, museum-like feel. He emphasizes that the store’s existence is not really driven as much by a profit motive as it is by the idea of creating a collection of unusual items to intrigue and be enjoyed by the entire community. Toons is still pretty much breaking even with any excess profit immediately re-invested into enlarging the diversity of the store’s wares. This accentuates the fact that it is really a labor of love on Verlo’s part, as well as that of the staff.

Although it expanded to the Nevada Avenue store in 1993, Toons is now branching out onto the Internet with its own Web site at http://www.toonsmusic.com. The store’s staff created and maintains the site.

Ironically, Colorado Springs’ growth has not benefited Toons. Verlo said most of the growth has been at the outskirts of the city. Because of this, he says, fewer people come downtown, where the store is located.

Currently, Toons is trying to attract a more upscale, older clientele at the Nevada Avenue store and has consequently sectioned off a portion of the store, hoping to appeal to this new client base. Jitterbuzz.com, a top Washington D.C.-based Web site for swing and lindy hop aficionados, called the section “the largest swing selection of any record store in town (Colorado Springs).” Verlo hopes the store’s new setup offers some variety, while allowing the older and younger generations to choose whether to interact or keep to themselves.

Verlo believes that Toons’ ultimate legacy for the Colorado Springs community is its very existence. It provides the city with an oasis of non-mainstream ideas. Verlo advises those who seek success or at least contentment in the business arena to “do what (they) want in life,” as he did in creating Toons.