Police take poetic license with wanted posters of New York prison fugitives

LOOKIT! New York authorities have issued fresh images of escapees David Sweat and Richard Matt. You might wonder where they got photos more recent than the last mug shots, which was the last time the prison break fugitives were in custody. Plus the news coverage has been unequivocal that authorities haven’t seen the wayward prisoners since.

It turns out the latest images are called “PROGRESSIVE PHOTOS” depicting how the convicted murderers are supposed to look at ten days into their freedom quest. Authorities are assuming they haven’t reached razors, so each has a ten-day shadow; and police artists have Photoshopped t-shirts over the original penitentiary vestments. But the photo manipulation didn’t stop there. The original mugshots were taken in identical environments, but these renditions feature distinct atmosphere changes, both darker.

The younger David Sweat is now lit with harsh florescent lights as one might encounter him in a convenience store or in YOUR GARAGE. Sweat’s pores are exposed like one might observe from inappropriate intimacy. Sweat’s receding hairline now looks more like hair plugs, as if his first stop after Dannemora was to a hair club for men. Sweat’s original friendly demeanor has been replaced with a calculated desperation. I’m guessing police artists have a PS morph tool labeled “John Wayne Gacy”.

Sweat’s brother-art-thou, alleged lothario Richard Matt, is now bathed in the incandescent light of YOUR BEDROOM.

I’m sure wanted posters have always afforded sheriffs the discretion to paint fugitives as menacing as needed. Photo manipulation is another animal altogether. It’s not poetic license, it’s character assassination. And it’s extrajudicial. Sweat and Matt are guilty of a nonviolent jailbreak. Until we can offer them justice — run boys run.

Addict, pederast dies, much fanfare

But let’s look past the innuendo and unproven transgressions, to celebrate the man’s contribution to the cannon of Western popular music product. Please!

I hear celebrities dismiss the allegations of Michael Jackson’s pedophilia like too much water under the bridge, which would be true I suppose, if Jackson’s victims were more like John Wayne Gacy’s, buried under Neverland, instead of tucked into San Fernando Valley homes, divvying multimillion-dollar payoffs with their enterprising panderer parents. Will the confidentiality clauses stand between the public ever knowing which pederast was the more prolific? That innuended, I do concur those bottoms were small fry compared to Jackson’s true sick imprint on America.

The Michael Jackson TM projected a perversion of role models. Not even a cynical anti-hero, the self-crowned King of Pop was the nul-idol. Jackson rejected his skin color, his sexuality, even his place of belonging among mortals. Other than pathos for the sick dance-cyborg who never had a childhood, what humanity did Jackson share to communicate? To be fair, it wasn’t Jackson who kept the spotlight trained on his black/white Icarus act, foisting the unnatural deception that man can soar with a single glove.

Now dead, Jocko is heralded as among the greatest. But MJ was an internationally recognized poster child for enfeebled humanity, a glorified counter-renaissance man, resembling a human being like a drag queen pretends femininity. He may have channeled vinyl High Fructose Corn Syrup like no other, walking backward while dancing and such, but worth what legacy exactly? Jackson shares the ignobless of the Big Mac, the Lucky Strike cigarette, and DDT. Iconic and good riddance.

Michael Jackson did nothing for black emancipation, or acceptance of homosexuals, or the plight of the children of poverty. The vast majority of the world’s children are “robbed of their childhoods,” you narcissistic rich dumb-ass, and that didn’t stop you from amassing your vast fortune at their expense.

Jackson probably did more to amplify the phobia against pedophiles, the single minority he did incarnate, by denying the preponderance of indicators, by vilifying his accusers, instead of taking his riches to Dubai right from the start, to show the world into what true debauchers wet their willies.

He might even have championed sympathy for plastic surgery binge-purgers, but he lied about that worm-hole until his nose literally fell off. I remember when Jackson made public appearances in surgery masks, feeding the fiction that he was a germophobe. Meanwhile everyone in Hollywood knew from their own rhinoplasties about the actual face-saving purpose of those masks.

Perversely, it was Jackson’s least aberrant eccentricity that killed him. Drugs. Even as TV viewers watch Jackson’s body pass from helicopter to ambulance, over a red carpet no less, Big Pharma makes sure that the talking heads refer to Jackson’s narcotics as “pain-killers.” Jocko was in constant pain, apparently, like Rush Limbaugh and all overachievers etc, hence their susceptibility to addiction. You’d think the alibi would eventually defy credulity.

Prescription drugs circulate among the well-to-do, with the same ease with which the rich have access to good lawyers. The difference between street and medical drugs is that no one cares about the heroin or crack addict’s “pain.”

All the celebrities speaking in tribute to Michael Jackson want to minimize the ugliness Jacko paraded, even, and especially his drug habit. Some who profess to have been close friends express their utter shock at Jackson’s passing, at his frail condition and the magnitude of his drug use. How close could they have been?! Or how culpable are they still on Big Pharma’s not-yet-upped jig?

Jackson was the King of Sick Culture. His collaborator eulogizers are its second tier whores. What contemptible shills, who’ve got theirs, behind their Beverly Hills gates and their own golden narcotics tickets. Even at the premature passing of a unique creative soul, due without question to drug abuse, his peers don’t want to aggravate the corporate forces which continue to pervert the human social animal to beyond self-recognition.

America’s Most Wanted

Clear Channel has announced it will be donating the use of electronic billboards across the country for posting mugshots of America’s Most Wanted, presumably to speed up the apprehension of dangerous criminals. Side effect: having to live under the gaze of smirking killers. Elevating fear-mongering to outdoor advertising heights.

Were John Wayne Gacy or Ted Bundy or that cannibal in Wisconsin ever featured on America’s Most Wanted? Have any active serial killers ever been targeted for capture? Who are the real public enemies which would merit a public’s vigilance? It’s bad enough to have to see the mugshots in the newspaper, or on the wall in the post office. Now commuters have to look up at ugly lawbreakers who’ve made the big time like Pia Zadora over Sunset Avenue?