DENVER, COLORADO- Just in time for this year’s 9/11 commemoration, and in the spirit of deepening America’s public commitment to the self- described endless Global War On Terror, comes THE CELL, a permanent museum exhibit to keep US citizens vigilant to the treat of terrorism. The DHS has provided funds to AIPAC and erstwhile Jewish lobbyists to build this display at the Mizel Museum next to the Denver Art Museum. You might well ask, WHAT THE FUCK are Israeli/Jewish interests doing fanning the flames of the so-called GWOT?

From ML:

collaborators are Rand, MIPT, Lawson Terrorism Information Center, AIC, Melanie Pearlman, regional director of AIPAC, Toby Dershowitz, Courtney Green (Mizel’s daughter) Mark Dubowitz, David Grey, Michael Inlander, Jonathan Schanzer, David Heyman, Brian Michael Jenkins, spook, mercenary, and false flag agent with Kroll Associates, who was in charge of WTC security and hired John O’Neill, who fingered the US ambassador to Yemen in the USS Cole bombing, and who was killed on 9/11, and Clifford May, of the RMN, NY Times, Committee on the Present Danger, and Foundation for the Defense of Democracies, ngo CIA fronts.

The CELL is an acronym for Center for Empowered Living and Learning, but in a political world where a reference to “lipstick” is automatically taken to refer to the Ugly American fundamentalist/ bigot/ corrupt/ simpleton/ sow running for GOP VP, the word “cell” is incredibly unsubtle. It’s the dreaded “sleeper cell” of dormant terrorists, meant to allude to the malignant cancer cell poised to spread until its host is dead. Fighting cancer of course means excising every single trace of an inclination of a tumor. While “cell” also describes a small organization, it has another definition certainly inconvenient to our would-be DHS fear-mongering jailers.

It’s a prison cell to which we confine ourselves for the sake of “security.” This hysterical fear spreads like a cancer throughout our nation, seeded by 9/11 and apparently folks who think we need regular inoculations of fear cells.

The display at the CELL is called ANYONE, ANYTIME, ANYWHERE: UNDERSTANDING THE THREAT OF TERRORISM. It teaches people to join Neighborhood Watch programs, etc, and to keep in touch with the Department of Homeland Security.

When FDR said “the only thing we have to fear is fear itself,” he was encouraging Americans to overcome their fear. Like a parent’s bedside advice: there’s no bogeyman in the closet, it’s all in your head. How far have we fallen when our own leaders pervert FDR’s axiom to mean the only thing you have to fear is terror (fear itself). Never mind what you have to fear, just fear.

What then do AIPAC and the Simon Wiesenthal Center have to do with scaring Americans into serving the GWOT? Does Israel think that unless Americans are reminded to fear Islam, they might begin to question white man’s incursion into the Middle East? Are Israel’s atrocities against Palestine and Lebanon likely to come into question unless the American public is kept mesmerized by Muslim Terror?

To refer to terrorism as an ideology is already an adolescent fallacy. The term is even inappropriate to isolate a particular means of warfare. Terrorism may be a tactic, but you cannot differentiate between suicide bombers and aerial bombing, between beheadings and extra-judicial preemptive assassination, between kidnappings and extraordinary rendition and torture.

We’re making a visit to THE CELL today, by coincidence on 9/11.
I can’t wait to see how an entire exhibit is going to riff on the never forget always remember TO FEAR illogic. A little knowledge can plant the seed of fear, sufficient knowledge can weed it out.

UPDATE:
The good news is that THE CELL looks like a low-rent Sharper Image meets espionage store. What is the graphic on the front door, a sniper’s crosshairs? All the windows are mirrored except where neon text is scrolling cautionary warnings. In other windows silhouettes of crowds huddle together beneath illuminated shards of falling structures. Another window glamorizes rack after rack of data processing electronics.

The main logo (photo at top of article) features a map of the world overlaid on a fingerprint. I had to laugh at the forced acronym. Center for Empowered Living and Learning. Isn’t to “Live and Learn” an expression for wisdom gained by experience, basically at the expense of mistakes made?

Most distressing however was to see this sign, an indication that the C.E.L.L. is not a temporary exhibit but an integral component of the Denver museum-scape. Does fear-mongering propaganda belong in the CULTURAL COMPLEX? Between Art, History and Library, a House of Horrors?

Coming Next:
We go inside!