I’m not saying Bob Dylan isn’t deserving of laurels, though one might consider Dylan to have been adequately lauded in his own century. When the Nobel Prize for literature goes to a songwriter, what does that say about the committee’s regard for contemporary literature?
As one who doesn’t like to leave the house, I am a big fan of the internet. In truth, I can hardly speak a negative word about it. The web has given us unfettered access to news and information, consumer goods, visions pleasing to the eye, sounds pleasing to the ear, easy communication one step removed. I can’t say I miss a single thing about the “good ol’ days.” Except waiting in line for concert tickets.
I love live music. I’ve been to zillions of concerts. In fact, I am going to a 2-day concert event in Denver this weekend. The headliners are Tom Petty and the Dave Matthews Band (woot! woot!). Over the years I’ve seen the Stones, the Who, the Grateful Dead, Elton John, Bob Dylan, Pink Floyd, Bruce Springsteen, James Taylor, Michael Jackson — the list goes on and on. And, so I don’t date myself too closely, I’ve even seen ‘N Sync and James Blunt.
Raised in an environment of easy internet access, my poor darling children have never had to stand in line for anything. Until last week when the new iPhone was to be released. After I made the big mistake of describing the many reasons I was considering an iPhone purchase, they decided that their future health and happiness was predicated on having 16GB iPhones. With no advice from me, they decided that they had to get to the store very early or risk failure.
They got to the AT&T store at 1 a.m. They were 22nd and 23rd in line. By the time Eric and I arrived shortly before 8, there were 100 people in line. There were camping chairs and coolers, even a gas grill. Decks of cards, pop cans and water bottles, fast food litter. I imagine there were a few dead soldiers (uh, empty beer containers) although I didn’t see any. The atmosphere was convivial. The camaraderie palpable.
They allowed people into the store 6 at a time. As each lucky buyer emerged, a bright orange AT&T bag signaling victory, their fellow consumers clapped and yelled in celebration.
We (read: they) left with our iPhones at 8:30. I later read that they’d sold out in 40 minutes — many campers went home empty-handed. But my two lucky ducks were thrilled with their phones, made all the more precious by the procurement experience.
Hallelujah was written by Leonard Cohen and first recorded on his 1984 album Various Positions. Since then the song has been recorded or sung by dozens of artists including Willie Nelson, k.d. Lang, Sheryl Crow, Bon Jovi and Bob Dylan to name a few. Bono even did a horrendous spoken version of it to honor American artist Jeff Buckley, a fan of the spoken word, shortly after his drowning death. Of course, Cohen’s version is untouchable, but a few of the other efforts are noteworthy.
I’ve already posted Rufus Wainwright’s beautiful rendition of Hallelujah from the Shrek soundtrack. But this version, sung by a regular-Joe Norwegian Idol winner and a couple friends, apparently on a coffee break, has got to be my favorite. Kurt Nilsen, a gap-toothed former plumber with a beautiful voice, was told by an Idol judge, “You sing like an angel, but you look like a Hobbit.” Well, perhaps, a talented Hobbit about to go off into the blue for a mad adventure.
These four Norwegian lads, casually called the New Guitar Buddies by the local press, embarked on what was to be a low key six-show gig. Their unexpected popularity led to an amended schedule, a 30-show tour for more than 100,000 concert goers. The Buddies then released a live album, not part of the original plan, which became the fastest-selling recording of all time in Norway.
What the hell is it about this song?
As part of the project to mirror web resource material that the media would otherwise hope to bury, here is the list of music recordings which Clear Channel banned from the airwaves of its enormous network of radio stations. On the heels of 9/11, Clear Channel asserted these songs had “questionable content.”
Drowning Pool “Bodies”
Mudvayne “Death Blooms”
Megadeth “Dread and the Fugitive,” “Sweating Bullets”
Saliva “Click Click Boom”
P.O.D. “Boom”
Metallica “Seek and Destroy,” “Harvester or Sorrow,” “Enter Sandman,”
“Fade to Black”
All Rage Against The Machine songs
Nine Inch Nails “Head Like a Hole”
Godsmack “Bad Religion”
Tool “Intolerance”
Soundgarden “Blow Up the Outside World”
AC/DC “Shot Down in Flames,” “Shoot to Thrill,” “Dirty Deeds”
“Highway to Hell,” “Safe in New York City,” “TNT,” “Hell’s Bells”
Black Sabbath “War Pigs,” “Sabbath Bloody Sabbath,” “Suicide Solution”
Dio “Holy Diver”
Steve Miller “Jet Airliner”
Van Halen “Jump”
Queen “Another One Bites the Dust,” “Killer Queen”
Pat Benatar “Hit Me with Your Best Shot,” “Love is a Battlefield”
Oingo Boingo “Dead Man’s Party”
REM “It’s the End of the World as We Know It”
Talking Heads “Burning Down the House”
Judas Priest “Some Heads Are Gonna Roll”
Pink Floyd “Run Like Hell,” “Mother”
Savage Garden “Crash and Burn”
Dave Matthews Band “Crash Into Me”
Bangles “Walk Like an Egyptian”
Pretenders “My City Was Gone”
Alanis Morissette “Ironic”
Barenaked Ladies “Falling for the First Time”
Fuel “Bad Day”
John Parr “St. Elmo’s Fire”
Peter Gabriel “When You’re Falling”
Kansas “Dust in the Wind”
Led Zeppelin “Stairway to Heaven”
The Beatles “A Day in the Life,” “Lucy in the Sky with Diamonds,”
“Ticket To Ride,” “Obla Di, Obla Da”
Bob Dylan/Guns N Roses “Knockin’ on Heaven’s Door”
Arthur Brown “Fire”
Blue Oyster Cult “Burnin’ For You”
Paul McCartney and Wings “Live and Let Die”
Jimmy Hendrix “Hey Joe”
Jackson Brown “Doctor My Eyes”
John Mellencamp “Crumbling Down.” “I’m On Fire”
U2 “Sunday Bloody Sunday”
Boston “Smokin”
Billy Joel “Only the Good Die Young”
Barry McGuire “Eve of Destruction”
Steam “Na Na Na Na Hey Hey”
Drifters “On Broadway”
Shelly Fabares “Johnny Angel”
Los Bravos “Black is Black”
Peter and Gordon “I Go To Pieces,” “A World Without Love”
Elvis “(You’re the) Devil in Disguise”
Zombies “She’s Not There”
Elton John “Benny & The Jets,” “Daniel,” “Rocket Man”
Jerry Lee Lewis “Great Balls of Fire”
Santana “Evil Ways”
Louis Armstrong “What A Wonderful World”
Youngbloods “Get Together”
Ad Libs “The Boy from New York City”
Peter Paul and Mary “Blowin’ in the Wind,” “Leavin’ on a Jet Plane”
Rolling Stones “Ruby Tuesday”
Simon And Garfunkel “Bridge Over Troubled Water”
Happenings “See You in Septemeber”
Carole King “I Feel the Earth Move”
Yager and Evans “In the Year 2525”
Norman Greenbaum “Spirit in the Sky”
Brooklyn Bridge “Worst That Could Happen”
Three Degrees “When Will I See You Again”
Cat Stevens “Peace Train,” “Morning Has Broken”
Jan and Dean “Dead Man’s Curve”
Martha & the Vandellas “Nowhere to Run”
Martha and the Vandellas/Van Halen “Dancing in the Streets”
Hollies “He Ain’t Heavy, He’s My Brother”
San Cooke Herman Hermits, “Wonder World”
Petula Clark “A Sign of the Times”
Don McLean “American Pie”
J. Frank Wilson “Last Kiss”
Buddy Holly and the Crickets “That’ll Be the Day”
John Lennon “Imagine”
Bobby Darin “Mack the Knife”
The Clash “Rock the Casbah”
Surfaris “Wipeout”
Blood Sweat and Tears “And When I Die”
Dave Clark Five “Bits and Pieces”
Tramps “Disco Inferno”
Paper Lace “The Night Chicago Died”
Frank Sinatra “New York, New York”
Creedence Clearwater Revival “Travelin’ Band”
The Gap Band “You Dropped a Bomb On Me”
Alien Ant Farm “Smooth Criminal”
3 Doors Down “Duck and Run”
The Doors “The End”
Third Eye Blind “Jumper”
Neil Diamond “America”
Lenny Kravitz “Fly Away”
Tom Petty “Free Fallin'”
Bruce Springsteen “I’m On Fire,” “Goin’ Down”
Phil Collins “In the Air Tonight”
Alice in Chains “Rooster,” “Sea of Sorrow,” “Down in a Hole,”
“Them Bone”
Beastie Boys “Sure Shot,” “Sabotage”
The Cult “Fire Woman”
Everclear “Santa Monica”
Filter “Hey Man, Nice Shot”
Foo Fighters “Learn to Fly”
Korn “Falling Away From Me”
Red Hot Chili Peppers “Aeroplane,” “Under the Bridge”
Smashing Pumpkins “Bullet With Butterfly Wings”
System of a Down “Chop Suey!”
Skeeter Davis “End of the World”
Rickey Nelson “Travelin’ Man”
Chi-Lites “Have You Seen Her”
Animals “We Gotta Get Out of This Place”
Fontella Bass “Rescue Me”
Mitch Ryder and the Detroit Wheels “Devil with the Blue Dress”
James Taylor “Fire and Rain”
Edwin Starr/Bruce Springstein “War”
Lynyrd Skynyrd “Tuesday’s Gone”
Limp Bizkit “Break Stuff”
Green Day “Brain Stew”
Temple of the Dog “Say Hello to Heaven”
Sugar Ray “Fly”
Local H “Bound for the Floor”
Slipknot “Left Behind, Wait and Bleed”
Bush “Speed Kills”
311 “Down”
Stone Temple Pilots “Big Bang Baby,” “Dead and Bloated”
Soundgarden “Fell on Black Days,” “Black Hole Sun”
Tonight was Gwyn Coleman’s Art Wars III at the historic City Auditorium, a great success as usual, everyone on the youthful side of the Colorado Springs art community was there. Spika had a performance piece in the show, and here’s what Spika did, the big goof.
Early in the evening Spika and an assistant painted a huge mural on stage of the United States in neon red against a black background. At the center of the red map was a yellow circle with a blue outer ring, over which was a green hazmat symbol.
Just before his performance piece which he called Metaxis, Spika led a robed figure [his wife dressed in burlap and darkened skin] resembling a Middle Eastern Muslim of irrelevant gender. She sat before the symbol at the middle of the America mural. Spika stood centerstage before a blacklight clad only in a pair of black shorts.
To a recording of Bob Dylan singing Masters of War, Spika rolled up his shorts into the sides of the waistband so that his attire resembled that of Jesus or Tarzan or Captain Underpants. Then Spika began to rub fluorescent red paint all over his legs and bare feet.
Spika wiped his hands on the front of his shorts, a repetitive move which looked uncomfortably indulgent until we saw that he was cleaning his hands for the next color. Then Spika covered the upper half of his body with blue paint. By this time the soundtrack had progressed to Jimmy Hendrix’s Star Spangled Banner. Spika rubbed the blue into his face and poured what remained of the blue paint over his hair.
Now Spika wrapped a skirt of white stripes around his waist. These were strips of white paper suspended on a wire waistband. Then he draped a similar shawl of white paper stars over his shoulders. Having made a living flag of himself, Spika donned a yellow crown of spikes, whatever it is that the Statue of Liberty wears, greatly amplified and struck a pose. Once the applause subsided, Spika walked over to the robed figure at the center of the America mural.
We were not sure as he turned his back to her, if he wasn’t bending to take a crap on the Muslim, but instead he sat between her legs. Then Spika slowly reclined into the arms of his robed non-westerner to create …a pieta, and the crowd went wild.