Tag Archives: AH-64

US inhumanity maxed at Azimuth Limit

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WikiLeaks video combat footage of 2007 collateral murder in Iraq“Light ’em all up. Come on, fire!” Watching the leaked combat footage of the helicopter gunships killing unarmed Iraqi civilians in 2007, I’m troubled by my own desensitized response. When I saw earlier leaked videos of an AH-64 vaporizing Iraqi farmers and a C-130 wreaking mayhem in Afghanistan, I remember my real shock at seeing a human life extinguished. This time not even flinch. “Just fuckin’, once you get on ’em just open ’em up.” Not at the brutality, nor the callousness of the play by play –even as the pilots targeted rescuers trying to help the wounded. I fault the Rules of Engagement that allowed the massacre, not the soldiers’ laughing swagger –as I hope they will not begrudge my unguarded satisfaction when eventually spectators will be treated to leaked footage of American soldiers taking some fire.

If you watched the video, perhaps you too were wishing that July 12, 2007 had recorded a massive setback for US troops in Iraq, at the height of the “surge” where a whole shitload of “dismounts” had been ambushed by IED explosions in a Baghdad square in the aftermath of a civilian massacre. Those who watched the 39-minute extended version I know were hoping to see a resolution like that, instead of an additional war crime of disproportional force and the targeting of civilians, a Hellfire missile attack on a building into which armed and unarmed men had entered, surrounded by passing innocents and rescuers scrambling to help.

There it goes! Look at that bitch go!
Patoosh!
Ah, sweet!
Need a little more room.
Nice missile.
Does it look good?
Sweet!

The Army has declared that no further inquiry will be made into the 2007 killing of the two Reuters journalists. Its FOIA requests long thwarted, even Reuters is not expressing outrage at this footage. Civilians and journalists about to be lit up The corporate media is hoping to let this story fade on the fringe. Does this mean that more pilots and gunners might become emboldened to leak other trophy reels? It doesn’t take Nelson Ratings for news outlets to see that viewers are already clamoring for more combat snuff films.

We could grant amnesty in exchange for those who turn in the most degenerate sequences.

And pretend they’ll remain anonymous. Ultimately friends and relatives will be able to place identities with the radio voices. Speaking on one of the clearest channels is the young voiced HOTEL-26, who reported taking fire from the photographers and ID’d the “RPG” with started the whole engagement. Likewise the gunner on CRAZY HORSE-18 who responded “Alright, hahaha, I hit ’em….” is addressed “God damn it, Kyle.”

And then there’s the poor 30mm gunner in CRAZY HORSE-19 who assessed his work thus:

Oh yeah, look at that. Right through the windshield! Ha ha!

While chomping at the bit to fire upon the improvised ambulance, he was momentarily thwarted by a puzzling “Azimuth Limit” which prevented his shooting.

Bloggers are now abuzz to decode the Azimuth Limit which slowed the turkey shoot when none of the gunners were showing restraint. Azimuth is the angular measurement of an object’s distance clockwise from True North. On rifles it expresses the adjustment of a gunsight to its boresight. On aircraft it apparently has something to do with the angle of relation to the axis of the fuselage. Whatever it is, maybe we can ratchet military Azimuth Limits down flat, if that’s what it will take to stop our soldiers from blowing away civilians, journalists, children and their rescuers alike. The shooters can cuss and salivate all they want so long as their trigger mechanisms respect human life or at least balk at excessive carnage.

What doesn’t come across the audio is what the US soldiers on the ground are saying to themselves as they survey “that big pile of [unarmed] bodies,” in their palaver, the “dead bastards.”

UPDATE — the testimonials begin:

From Iraq war veteran Michael Prysner, co-founder of March Forward!

The harrowing Apache footage released by WikiLeaks gives us a stomach-turning glimpse of war. Seventeen minutes of cold-blooded massacre in a war of more than seven years. A brief clip of one Apache video; a quick look at one part of one mission. Hundreds of those missions take place every day.

The video came to light thanks to military whistleblowers who provided it to WikiLeaks together with supporting documents.  Imagine if we had access to all such videos, the things we would see. Imagine all the Iraqis killed who have no one to uncover the truth about their deaths. Had the death of two Reuters news staffers not generated interest in this video, then the destruction of three families by hellfire missiles fired into an apartment building with no provocation, in a separate engagement also featured in the video, would have never been made public.

This massacre is a drop in a sea of blood. Many other such “incidents” will never be known.

Officers claimed there was “no question” that the pilots were responding to enemy fire; the video shows there is no question that they were not responding to enemy fire. They said that they had “no idea” how the journalists were killed; the video shows that they know very well how those journalists were killed. They were gunned down standing in a crowd of unarmed people.
After the slaughter of that group, the pilots beg for permission to kill the innocent passers-by who had come to the aid of one of the wounded, like any of us would have done if we saw our neighbor dying on the ground as we drove down the street. They kill everyone trying to help the dying journalist, and critically wound two children seen sitting in the front seat.

We see a group of unarmed men mowed down by a machine gun designed to destroy armored vehicles. We see a vanload of good Samaritans obliterated for trying to help a dying victim. We see all this with the soundtrack of the pilots mocking the dead, congratulating each other and laughing about the massacre.

No wonder the U.S. military goes to such great lengths to keep such videos from us. They want us to see Iraq and Afghanistan through their lens, through their embedded reporters, filtered by censorship and restrictions. They know that, once the people of this country see the extreme racism and brutality behind these occupations, they will be repulsed by what their tax dollars are paying for.

The military brass and the White House politicians have tried to justify this senseless atrocity. “Cut the pilots some slack. This was in Baghdad. This was a battle zone”—that’s been their line. The pilots had been indoctrinated with the same colonial mentality. “That’s what they get for bringing their kids into battle,” one pilot says.

The father driving that van was not “bringing his kids into battle.” He was bringing them to school, driving down the street where they live. But the U.S. occupation has made all of Iraq a battle zone. To those pilots, to their commanders over the radio and to the generals in the Pentagon, every single person in Baghdad and in Iraq is “fair game.”

The pilots joked about the people they killed, laughed about U.S. military vehicles running over dead bodies, knowing that their commanders were listening and that they were being recorded. They were not acting out of character. This is the culture of the occupation. This is how these wars are being conducted.

Having seen this, one cannot honestly believe that these atrocities are committed day in and day out for the liberation of the Iraqi people.

The Pentagon’s talking heads and media lackeys are hard at work putting their spin on this story. It’s time to tell the truth. For more than seven years, the U.S. has unleashed criminal, unprovoked aggression against the people of Iraq, and they have been doing the same thing in Afghanistan for more than eight years.

The U.S. military presence in Iraq is a colonial occupation force. The only way forward is a complete, immediate and unconditional withdrawal of all U.S. forces from Iraq and Afghanistan. This government will not do that unless all of us who are outraged by these criminal acts stand up and demand it.

Iraq war veteran Josh Stieber, US Army Specialist, 1st ID, Bravo Company 2-16 in Baghdad (Rustamiyah) 2007-2008. Although he was not present at the scene of the video, he knows those who were involved and is familiar with the environment.

A lot of my friends are in that video. After watching the video, I would definitely say that that is, nine times out of ten, the way things ended up. Killing was following military protocol. It was going along with the rules as they are.

If these videos shock and revolt you, they show the reality of what war is like. If you don’t like what you see in them, it means we should be working harder towards alternatives to war.

?

Yeah look at those dead bastards. Nice.

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Here’s the Wikileaks decrypted Apache AH-64 combat footage of 2007 collateral murder of Iraqi civilians including two journalists, wounding two children.

Wikileaks is tweeting the ensuing developments. Democracy Now has interviews recorded the day after July 12, 2007 by Big Noise Films.

We have individuals going to the scene, looks like possibly uh picking up bodies and weapons.

Let me engage.

Roger, hey, we need to stop that.

Can I shoot?

Request permission to engage.

Picking up the wounded?

Yeah, we’re trying to get permission to engage.

Come on, let us shoot!

They’re taking him.

We have a Black SUV err, Bongo Truck picking up the bodies.

Fuck.

Request permission to engage.

Engage.

Transcript from the Full video:

00:03 Okay I got it.
00:05 Last conversation Hotel Two-Six.
00:09 Roger Hotel Two-Six [Apache helicopter 1], uh, [this is] Victor Charlie Alpha. Look, do you want your Hotel Two-Two two el-
00:14 I got a black vehicle under target. It’s arriving right to the north of the mosque.
00:17 Yeah, I would like that. Over.
00:21 Moving south by the mosque dome. Down that road.
00:27 Okay we got a target fifteen coming at you. It’s a guy with a weapon.
00:32 Roger [acknowledged].
00:39 There’s a…
00:42 There’s about, ah, four or five…
00:44 Bushmaster Six [ground control] copy [i hear you] One-Six.
00:48 …this location and there’s more that keep walking by and one of them has a weapon.
00:52 Roger received target fifteen.
00:55 K.
00:57 See all those people standing down there.
01:06 Stay firm. And open the courtyard.
01:09 Yeah roger. I just estimate there’s probably about twenty of them.
01:13 There’s one, yeah.
01:15 Oh yeah.
01:18 I don’t know if that’s a…
01:19 Hey Bushmaster element [ground forces control], copy on the one-six.
01:21 Thats a weapon.
01:22 Yeah.
01:23 Hotel Two-Six; Crazy Horse One-Eight [second Apache helicopter].
01:29 Copy on the one-six, Bushmaster Six-Romeo. Roger.
01:32 Fucking prick.
01:33 Hotel Two-Six this is Crazy Horse One-Eight [communication between chopper 1 and chopper 2]. Have individuals with weapons.
01:41 Yup. He’s got a weapon too.
01:43 Hotel Two-Six; Crazy Horse One-Eight. Have five to six individuals with AK47s [automatic rifles]. Request permission to engage [shoot].
01:51 Roger that. Uh, we have no personnel east of our position. So, uh, you are free to engage. Over.
02:00 All right, we’ll be engaging.
02:02 Roger, go ahead.
02:03 I’m gonna… I cant get ’em now because they’re behind that building.
02:09 Um, hey Bushmaster element…
02:10 Is that an RPG [Rocket Propelled Grenade]?
02:11 All right, we got a guy with an RPG.
02:13 I’m gonna fire.
02:14 Okay.
02:15 No hold on. Lets come around. Behind buildings right now from our point of view. … Okay, we’re gonna come around.
02:19 Hotel Two-Six; have eyes on individual with RPG. Getting ready to fire. We won’t…
02:23 Yeah, we had a guy shoot—and now he’s behind the building.
02:26 God damn it.
02:28 Uh, negative, he was, uh, right in front of the Brad [Bradley Fighting Vehicle; an tracked Armored Personal Carrier that looks like a tank]. Uh, ’bout, there, one o’clock. [direction/orientation]
02:34 Haven’t seen anything since then.
02:36 Just fuckin’, once you get on ’em just open ’em up.
02:38 All right.
02:40 I see your element, uh, got about four Humvees [Armored cars], uh, out along…
02:43 You’re clear.
02:44 All right, firing.
02:47 Let me know when you’ve got them.
02:49 Lets shoot.
02:50 Light ’em all up.
02:52 Come on, fire!
02:57 Keep shoot, keep shoot. [keep shooting]
02:59 keep shoot.
03:02 keep shoot.
03:05 Hotel.. Bushmaster Two-Six, Bushmaster Two-Six, we need to move, time now!
03:10 All right, we just engaged all eight individuals.
03:12 Yeah, we see two birds [helicopters] and we’re still fire [not firing].
03:14 Roger.
03:15 I got ’em.
03:16 Two-six, this is Two-Six, we’re mobile.
03:19 Oops, I’m sorry what was going on?
03:20 God damn it, Kyle.
03:23 All right, hahaha, I hit [shot] ’em…
03:28 Uh, you’re clear.
03:30 All right, I’m just trying to find targets again.
03:38 Bushmaster Six, this is Bushmaster Two-Six.
03:40 Got a bunch of bodies layin’ there.
03:42 All right, we got about, uh, eight individuals.
03:46 Yeah, we got one guy crawling around down there, but, uh, you know, we got, definitely got something.
03:51 We’re shooting some more.
03:52 Roger.
03:56 Hey, you shoot, I’ll talk.
03:57 Hotel Two-Six; Crazyhorse One-Eight.
04:01 Crazyhorse One-Eight; this is Hotel Two-Six. Over.
04:03 Roger. Currently engaging [fighting/shooting at] approximately eight individuals, uh KIA [Killed In Action], uh RPGs, and AK-47s.
04:12 Hotel Two-Six, you need to move to that location once Crazyhorse is done and get pictures. Over.
04:20 Six beacon gaia.
04:24 Sergeant Twenty is the location.
04:28 Hotel Two-Six; Crazyhorse One-Eight.
04:31 Oh, yeah, look at those dead bastards.
04:36 Nice.
04:37 Two-Six; Crazyhorse One-Eight.
04:44 Nice.
04:47 Good shoot.
04:48 Thank you.
04:53 Hotel Two-Six.
04:55 Hotel Two-Six; Crazyhorse One-Eight.
05:03 Crazyhorse One-Eight; Bushmaster Seven. Go ahead.
05:06 Bushmaster Seven; Crazyhorse One-Eight. Uh, location of bodies, Mike Bravo five-four-five-eight eight-six-one-seven [military map grid reference].
05:15 Hey, good on the uh…
05:17 Five-four-five-eight eight-six-one-seven [map grid reference]. Over.
05:21 This is Crazyhorse One-Eight, that’s a good copy. They’re on a street in front of an open, uh, courtyard with a bunch of blue uh trucks, bunch of vehicles in the courtyard.
05:30 There’s one guy moving down there but he’s uh, he’s wounded.
05:35 All right, we’ll let ’em know so they can hurry up and get over here.
05:40 One-Eight, we also have one individual, uh, appears to be wounded trying to crawl away.
05:49 Roger, we’re gonna move down there.
05:51 Roger, we’ll cease fire.
05:54 Yeah, we won’t shoot anymore.
06:01 He’s getting up.
06:02 Maybe he has a weapon down in his hand?
06:04 No, I haven’t seen one yet.
06:07 I see you guys got that guy crawling right now on that curb.
06:08 Yeah, I got him. I put two rounds [30mm cannon shells] near him, and you guys were shooting over there too, so uh we’ll see.
06:14 Yeah, roger that.
06:16 Bushmaster Thirty-Six Element; this is uh Hotel Two-Seven over.
06:21 Hotel Two-Seven; Bushmaster Seven go ahead.
06:24 Roger I’m just trying to make sure you guys have my turf [area], over.
06:31 Roger we got your turf.
06:33 Come on, buddy.
06:38 All you gotta do is pick up a weapon.
06:44 Crazyhorse this is Bushmaster Five, Bushmaster Four break. We are right below you right time now can you walk us onto that location over.
06:54 This is Two-Six roger. I’ll pop flares [drop flares]. We also have one individual moving. We’re looking for weapons. If we see a weapon, we’re gonna engage.
07:07 Yeah Bushmaster, we have a van that’s approaching and picking up the bodies.
07:14 Where’s that van at?
07:15 Right down there by the bodies.
07:16 Okay, yeah.
07:18 Bushmaster; Crazyhorse. We have individuals going to the scene, looks like possibly uh picking up bodies and weapons.
07:25 Let me engage.
07:28 Can I shoot?
07:31 Roger. Break. Uh Crazyhorse One-Eight request permission to uh engage.
07:36 Picking up the wounded?
07:38 Yeah, we’re trying to get permission to engage.
07:41 Come on, let us shoot!
07:44 Bushmaster; Crazyhorse One-Eight.
07:49 They’re taking him.
07:51 Bushmaster; Crazyhorse One-Eight.
07:56 This is Bushmaster Seven, go ahead.
07:59 Roger. We have a black SUV-uh Bongo truck [van] picking up the bodies. Request permission to engage.
08:02 Fuck.
08:06 This is Bushmaster Seven, roger. This is Bushmaster Seven, roger. Engage.
08:12 One-Eight, engage.
08:12 Clear.
08:13 Come on!
08:17 Clear.
08:20 Clear.
08:21 We’re engaging.
08:26 Coming around. Clear.
08:27 Roger. Trying to uh…
08:32 Clear.
08:35 I hear ’em co.. I lost ’em in the dust.
08:36 I got ’em.
08:41 I’m firing.
08:42 This is Bushmaster Forty got any BDA [Battle Damage Assessment] on that truck. Over.
08:44 You’re clear.
08:47 This is ah Crazyhorse. Stand by.
08:47 I can’t shoot for some reason.
08:49 Go ahead.
08:50 I think the van’s disabled.
08:53 Go ahead and shoot it.
08:54 I got an azimuth limit for some reason [gunner moved gunsight too far]
09:00 Go left.
09:03 Clear left.
09:15 All right, Bushmaster Crazyhorse One-Eight.
09:20 A vehicle appears to be disabled.
09:22 There were approximately four to five individuals in vehicle moving bodies.
09:28 Your lead Bradley should take the next right.
09:31 That’s cruising east down the road.
09:34 No more shooting.
09:38 Crazyhorse; this is Bushmaster Four. We’re moving a dismounted element [troops] straight south through the Bradleys [tanks].
09:44 I have your Elem- uh, Bradley element turning south down the road where the engagements were.
09:53 Last call on station’s uh Bradley element say again.
09:56 Roger this is Crazyhorse.
09:58 Your lead Bradley just turned south down the road where all the engagements [shooting] happened.
10:03 Should have a van in the middle of the road with about twelve to fifteen bodies.
10:11 Oh yeah, look at that. Right through the windshield!
10:14 Ha ha!
10:16 All right. There were uh approximately four to five individuals in that truck, so I’m counting about twelve to fifteen.
10:24 I would say that’s a fairly accurate assessment so far.
10:27 Roger that.
10:29 I want to just be advised Six, Bushmaster Six are getting mounted up right now.
10:35 Okay, roger. Hey, we can’t flex down that road towards that, uh, where Crazyhorse engaged.
10:43 So, uh, I don’t know if you want us to do so or stay put. Over.
10:46 Why can’t they go down there?
10:56 I think we whacked [killed] ’em all.
10:58 That’s right, good.
10:59 This is Hotel Two-Six.
11:03 Hey you got my dismounted element [troops] right there over to your left.
11:06 Roger, I see ’em.
11:11 Hey yeah, roger, be advised, there were some guys popping out with AKs behind that dirt pile break.
11:19 We also took some RPGs off, uh, earlier, so just uh make sure your men keep your eyes open.
11:26 Roger.
11:27 And, uh, Bushmaster ahead are, uh, Hotel Two-Six; Crazyhorse One-Eight.
11:33 Crazyhorse One-Eight; this is Hotel Two-Six.
11:35 Yeah Two-Six; Crazyhorse One-Eight.
11:37 Uh, location I have about twelve to fifteen dead bodies.
11:42 Uh, where else are we taking fire from?
11:48 Currently we’re not being engaged, ah, but just south of that location. Break.
11:55 You should see dismounted elements with Humvees [armored cars] moving to the east, over.
12:01 This is Crazyhorse One-Eight; we have elements in sight.
12:05 Bushmaster Three-Six.
12:07 I’m gonna get down a little lower.
12:09 All right.
12:10 I’m gonna come down a little lower and take a quick gander.
12:13 Roger that.
12:14 Six; this is four. We’re headed to the area where Crazyhorse engaged.
12:26 Bushmaster Six; this is Hotel Two-Six.
12:28 Request to go to the south to our original BP so if you flushed them to the south we will be there to uh intercept over.
12:39 Hey this is Bushmaster Seven; we’re coming up on B… on the ass end of the Brads [tanks].
12:54 Hey uh, Bushmaster Element; this is Copperhead One-Six break.
13:00 We’re moving in the vicinity of the engagement area and looks like we’ve got some slight movement from ah, the ah van that was engaged.
13:06 Looks like a kid. Over.
13:11 This is Bushmaster Seven, roger. Uh, we’re about a hundred meters behind you.
13:16 Got that big pile, to the right?
13:18 Roger, you gonna pull in here? Do you want me to push stuff so you can, uh, get clear of it?
13:21 Right on the corner?
13:22 What’s that?
13:23 Got that big pile of bodies to the right, on the corner?
13:24 Yeah, right here.
13:25 We got a dismounted infantry and vehicles, over.
13:30 Again, roger.
13:31 And clear.
13:48 There’s the Bradley right there.
13:51 Got ’em.
14:00 Hotel two-six; are you uh at this grid over?
14:05 Yeah I wanted to get you around so didn’t you just get that one dude to scare them all away. It worked out pretty good.
14:11 I didn’t want those fuckers to run away and scatter.
14:12 Yeah.
14:15 Bushmaster Six; Hotel Two-Six. Roger, we linked up with our two element they are all mounted up in our trucks break.
14:23 We moved south so that we could ah possibly intercept personnel being flushed south. So we are vicinity Fifth Street.
14:30 And ah please line Gadins. Over.
14:37 Bring the trucks in, cordon this area off.
14:39 Can we move the Bradley forward so we can bring trucks in and cordon off this area.
14:44 If the Bradleys could take the south cordon, that could help out a lot.
14:53 Bushmaster or element. Which Element called in Crazyhorse to engage the eight-elem- eight-men team on top of a roof.
15:02 Bushmaster Six; this is Hotel Two-Six. Uh, I believe that was me.
15:07 They uh had AK-47s and were to our east, so, where we were taking small arms fire. Over.
15:20 Hotel Crazyhorse One-Eight.
15:26 Crazyhorse One-Eight; this is Hotel Two-Six.
15:28 Yeah Two-Six. One-Eight I just also wanted to make sure you knew that we had a guy with an RPG cropping round the corner getting ready to fire on your location.
15:36 That’s why we ah, requested permission to engage.
15:40 Ok, roger that. Tango mike.
15:46 Hotel Two-Six; do you understand me, over?
15:51 I did not copy last, uh, you got stepped on. Say again please?
16:00 They cordoned off the building that the helicopters killed the personnel on.
16:04 Don’t go anywhere else we need to cordon off that building so we can get on top of the roof and SSC the building. Over.
16:13 Hotel Two-Six; Crazyhorse One-Eight.
16:16 This is Hotel Two-Six.
16:19 Hey, whoever was talking about rooftops, know that all the personnel we engaged were ground level. I say again ground level.
16:27 Roger I copy ground level. Over.
16:30 One-Eight roger.
16:33 Can I get a grid to that one more time please?
16:36 Target twenty.
16:36 Roger.
16:40 You want me to take over talking to them?
16:42 S’alright.
16:46 Seven-Six Romeo Over.
16:49 Roger, I’ve got uh eleven Iraqi KIAs [Killed In Action]. One small child wounded. Over.
16:57 Roger. Ah damn. Oh well.
17:04 Roger, we need, we need a uh to evac [evacuate] this child. Ah, she’s got a uh, she’s got a wound to the belly.
17:10 I can’t do anything here. She needs to get evaced. Over.
17:18 Bushmaster Seven, Bushmaster Seven; this is Bushmaster Six Romeo.
17:20 We need your location over.
17:25 Roger, we’re at the location where Crazyhorse engaged the RPG fire break.
17:37 Grid five-four-five-eight.
17:46 Well it’s their fault for bringing their kids into a battle.
17:48 That’s right.
17:56 Got uh, eleven.
18:01 Yeah uh, roger. We’re monitoring [observing].
18:02 Sorry.
18:04 No problem.
18:07 Correction eight-six-one-six.
18:16 Looking for more individuals-south.
18:18 Bushmaster Six-Bushmaster Seven.
18:29 I think they just drove over a body.
18:31 Hey hey!
18:32 Yeah!
18:37 Maybe it was just a visual illusion, but it looked like it.
18:41 Well, they’re dead, so.
18:44 Bushmaster Six; Hotel Two-Six over.
18:56 Six; this is Four. I got one individual looks like he’s got an RPG round laying underneath him. Break.
19:05 Probably like to get…
19:10 Look at that.
19:12 Bushmaster Six; Hotel Two-Six over.
19:29 Bushmaster Six; Romeo Hotel Two-Six over.
19:44 Bushmaster Six; Hotel Two-Six over.
19:56 Hotel Two-Six; Bushmaster Seven colocated with Six.
20:08 Hotel Two-Six; Bushmaster Seven.
20:10 Bushmaster Seven; Hotel Two-Six over.
20:14 Roger, we got a little girl who needs to be evaced. What’s your location over?
20:22 On route Gadins, I am all the way to the south. So I am Gadins and Fifth Street.
20:28 I say again Gadins and Fifth Street, over.
20:40 Bushmaster Seven; Hotel Two-Six. Do you want us to push to your location?
20:55 Hey, uh, I need to get the Brads to drop rads I got a wounded little girl we need to take her off the maya.
21:04 Bushmaster Seven; Hotel Two-Six. Do you want us to move to your location over?
21:30 Bushmaster Six; Hotel Two-Six over.
21:34 Hotel Two-Six; this is Bushmaster Seven. Roger, come to our location.
21:39 Okay, roger, we’re coming up north on Gadins and then we will push east to your location.
22:06 Bushmaster elements be advised we have friendlies coming from the south to your location. Over.
22:13 All right, got ’em moving up from the south.
22:35 Bushmaster elements be advised we are coming up from the east.
23:49 Hey One-Two; follow me over. I’m going to try and get out of here as quickly as possible.
24:10 You guys all right back there?
24:13 Yeah, we’re with you.
24:35 Lotta guys down there.
24:37 Oh yeah.
24:37 Came out of the woodwork.
24:38 This is Operation, ah, Operation Secure.
25:16 Yeah we have fifty rounds left.
25:17 Yep.
25:19 Two-Six; Six Romeo over.
25:21 Two-Six; Romeo over.
25:23 Hey roger, what’s your current location over?
25:47 Six; speak it’s Romeo.
25:50 Three-Six Romeo; Six Romeo over.
25:52 Roger, at the six once it’s back on this guy.
25:56 Lost him.
26:00 What’s he got for us?
26:01 Stand by.
26:06 Hotel Two-Six; Crazyhorse One-Eight.
26:21 Hey, did you got action on that target yet over?
26:25 Speak to Charlie roger.
26:32 Hotel Two-Six; Crazyhorse One-Eight.
26:55 Bushmaster Six; Crazyhorse One-Eight.
26:59 Roger, you have traffic over.
27:02 Roger. Uh, just wondering if you had anything else you wanted us to drive on?
27:08 Yeah roger keep on, ah, for the time being over.
27:11 Six calls Six Romeo. Can you tell battalion that two civilian children casualties are coming back to SMI in the Bradley over.
27:26 Six calls Six Romeo.
27:29 Bushmaster Six Copper White Six.
27:32 Copperhead White Six; this is Bushmaster Six Romeo over.
27:36 Roger, that’s a negative on the evac of the two, ah, civilian, ah, kids to, ah, rusty they’re going to have the IPs [Iraqi Police] link up. They can put us over here. Break. IPs will take them up to a local hospital over.
27:50 Copy over.
27:54 One six oh.
28:08 … they’re all going to.
28:10 Say again?
28:12 Where all those dismounts [infantry] are going to?
28:18 Going into this hous-. Sorry
29:29 Three Six, Three Six; Bushmaster Six Romeo over.
29:37 Six Romeo, Six Romeo.
29:39 Roger, Bushmaster Seven wants an up on all personnel in your battalion over.
29:44 Roger.
30:08 …friendlies [US troops] on the roof.
30:10 Crazyhorse One-Eight; this is Bushmaster Four over.
30:12 Bushmaster Four; this is Crazyhorse One-Eight.
30:15 Roger, I can ah hear small arms fire from your engagement area at two zero zero zero ah about three hundred meters from that objective over.
30:27 Crazyhorse; from what I understand small arms fire at two zero zero zero degrees about two hundred meters.
30:39 Just to the southwest.
30:41 Yup.
30:49 Right about where we engaged.
30:51 Yeah, One of them with that RPG or whatever.
30:55 He’s got a weapon. Got an RK–AK 47.
30:58 Hotel Two-Six; Crazyhorse One-Eight.
31:02 Gonna lose him.
31:03 Crazyhorse One-Eight this is Hotel Two-Six over.
31:08 Roger, have another individual with a weapon.
31:10 Dammit, they’re in the same building.
31:12 Hey roger that, just make sure that ah, you’re firing from west to east over.
31:16 Just went in the building.
31:18 Crazyhorse Three and Four will be on their way.
31:21 The individual walked into the building previously past grid [map reference]. So there’s at least six individuals in that building with weapons.
31:30 We can put a missile in it.
31:31 If you’d like, ah, Crazyhorse One-Eight could put a missile in that building.
31:46 It’s a triangle building. Appears to be ah, abandoned.
31:51 Yeah, looks like it’s under construction, abandoned.
31:52 Appears to be abandoned, under construction.
31:56 Uh, like I said, six individuals walked in there from our previous engagement.
32:01 Crazyhorse One-Eight; this is Bushmaster Six Romeo. If you’ve PIDed [Positively IDentified] the individuals in the building with weapons, go ahead and engage the building over.
32:08 Crazyhorse One-Eight; will be coming up north to south engaging with Hellfire [missiles].
32:13 All right, I’m going to do manual.
32:17 All right, we’ve been cleared to engage with…
32:18 This is Bushmaster Six Romeo. Crazyhorse One Eight is going to be engaging north to south with Hellfire missiles over.
32:24 This is Hotel Two-Six. Roger.
32:26 All right, you ready?
32:27 No, I’m trying to get over to the November [target]. Trying to find the fucking…
32:33 This is Bushmaster Six. Has that RPG round been extended already or is it still live, over.
32:38 Looks live to me.
32:40 Let me know when you’re going to fire.
32:44 All right, I’m fucking having a brain fart. Where’s the man [manual] advancement?
32:48 You got one on the clutch on the bottom left on your left door.
32:54 Roger let me stand by.
32:57 Got it?
32:59 No.
33:03 All right.
33:09 Let me just put a kilo [Hellfire missile] in there.
33:12 Ok.
33:15 Got it?
33:21 Put a kilo in?
33:22 All right, let me get back.
33:26 I’m gonna come around, get some more distance.
33:27 Roger that, you’re clear.
33:33 Got more individuals in there.
33:36 You wanna hit from north to south or you wanna go from west to east? I don’t wanna fire with the friendlies [US forces] right there, you know.
33:41 Yeah, go north to south.
33:53 Right, come around, right.
33:56 I’m just gonna put one or two in, if they want any more.
34:09 Right.
34:12 Found the missile.
34:15 Roger, I’ll get you in this straight.
34:16 You’re clear.
34:17 I’m firing.
34:26 Target hit.
34:28 It was a missile.
34:29 Left.
34:32 You’re clear. I’m above you.
34:36 Crazyhorse One-Eight; was that explosion you engaging over?
34:38 Crazyhorse One Eight, roger. Engaging building with one hellfire.
34:46 Let’s come around and we’ll clear the smoke. We’ll fire one more.
34:50 Hey uh, we’re going to wait for the smoke to clear.
34:52 Yes Crazyhorse One Eight now. We’re going to put one more missile into the building.
34:57 Yeah, did it ah, go in the building? I see the wall knocked out of the way.
34:59 Yeah, it went in.
35:01 Bushmaster Six Romeo; this is Hotel Two-Six. Yeah roger, that was Crazyhorse engaging with one Hellfire over.
35:10 Yeah roger, I got a November [target] if you want.
35:12 Fire away.
35:13 You want us to fire?
35:18 You ready?
35:19 Yep.
35:20 Bushmaster Six Romeo. They are going to engage ah, with one more Hellfire in that building.
35:24 Uh shit, why I do I have AP flashing on there? [warning on helicopter display]
35:47 We’re not even going to watch this fucking shit?
35:49 Till next one. It won’t come around, I need a little more distance.
35:53 Still want me to shoot?
35:57 You guys, following hot.
35:59 Roger.
36:13 You are clear.
36:14 Roger.
36:16 You going to bring up the missile?
36:18 Roger.
36:19 And firing.
36:20 Come down? There you go.
36:23 Fire.
36:24 All right.
36:28 I’ve got, ah BACKSCATTER [warning on helicopter display].
36:30 All right, come around.
36:32 Roger.
36:34 Coming around left, backscatter.
36:49 Firing.
36:53 There it goes! Look at that bitch go!
36:56 Patoosh!
37:03 Ah, sweet.
37:07 Need a little more room.
37:09 Nice missile.
37:11 Does it look good?
37:12 Sweet!
37:16 Uh, you ready?
37:18 Roger.
37:30 There’s a lot of dust.
37:36 Crazyhorse One-Eight; this is Hotel Two-Six. Was there a BDA [Battle Damage Assessment]?
37:40 This is Crazyhorse One-Eight. Stand by, engaging with another Hellfire.
37:43 All right.
37:45 You’re clear.
37:47 Lemme know when I’m clear.
37:50 Roger that.
37:59 He wasn’t.
38:02 Hotel Two-Six; Crazyhorse One-Eight.
38:07 Crazyhorse One-Eight.
38:09 Roger, building destroyed. Engaged with three hellfire missiles.

America’s tunnel vision about Israel

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tunnel
“Suppose that the U.S. weapon makers had to use a tunnel to deliver weapons to Israel. The U.S. would have to build a mighty big tunnel to accommodate the weapons that Boeing, Raytheon, Lockheed Martin and Caterpillar have supplied to Israel. The size of such a tunnel would be an eighth wonder of the world, a Grand Canyon of a tunnel, an engineering feat of the ages.

“Think of what would have to come through.
 
“Imagine Boeing’s shipments to Israel traveling through an enormous underground tunnel, large enough to accommodate the wingspans of planes, sturdy enough to allow passage of trucks laden with missiles. According to UK’s Indymedia Corporate Watch, 2009, Boeing has sent Israel 18 AH-64D Apache Longbow fighter helicopters, 63 Boeing F15 Eagle fighter planes, 102 Boeing F16 Eagle fighter planes, 42 Boeing AH-64 Apache fighter helicopters, F-16 Peace Marble II & III Aircraft, 4 Boeing 777s, and Arrow II interceptors, plus IAI-developed arrow missiles, and Boeing AGM-114 D Longbow Hellfire missiles,
 
“In September of last year, the U.S. government approved the sale of 1,000 Boeing GBU-9 small diameter bombs to Israel, in a deal valued at up to 77 million.
 
“Now that Israel has dropped so many of those bombs on Gaza, Boeing shareholders can count on more sales, more profits, if Israel buys new bombs from them from them. Perhaps there are more massacres in store. It would be important to maintain the tunnel carefully.
 
“Raytheon, one of the largest U.S. arms manufacturers, with annual revenues of around $20 billion, is one of Israel’s main suppliers of weapons. In September last year, the US Defense Security Cooperation Agency approved the sale of Raytheon kits to upgrade Israel’s Patriot missile system at a cost of $164 million. Raytheon would also use the tunnel to bring in Bunker Buster bombs as well as Tomahawk and Patriot missiles.
 
“Lockheed Martin is the world’s largest defense contractor by revenue, with reported sales, in 2008, of $42.7 billion. Lockheed Martin’s products include the Hellfire precision-guided missile system, which has reportedly been used in the recent Gaza attacks. Israel also possesses 350 F-16 jets, some purchased from Lockheed Martin.
 
“Think of them coming through the largest tunnel in the world.
 
“Maybe Caterpillar Inc. could help build such a tunnel. Caterpillar Inc., the world’s largest manufacturer of construction (and destruction) equipment, with more than $30 billion in assets, holds Israel’s sole contract for the production of the D9 military bulldozer, specifically designed for use in invasions of built-up areas. The U.S. government buys Caterpillar bulldozers and sends them to the Israeli army as part of its annual foreign military assistance package. Such sales are governed by the US Arms Export Control Act, which limits the use of U.S. military aid to “internal security” and “legitimate self defense” and prohibits its use against civilians.
 
“Israel topples family houses with these bulldozers to make room for settlements. All too often, they topple them on the families inside. American peace activist Rachel Corrie was crushed to death standing between one of these bulldozers and a Palestinian doctor’s house.
 
“In truth, there’s no actual tunnel bringing U.S. made weapons to Israel. But the transfers of weapons and the U.S. complicity in Israel’s war crimes are completely invisible to many U.S. people.”

Taken from Kathy Kelly’s What Americans Can’t See About Gaza