Kimya Dawson not only nailed the essence of protests for #BlackLivesMatter. She knew in which direction the protest marches needed to push. Toward our system’s seams. If you are having trouble finding the lyrics of her song about HANDS UP DON’T SHOOT I CAN’T BREATH, it’s because it’s called At the Seams.
I’ve taken the liberty to reformat Dawson’s brilliant lyrics to unpack her references and simulate her cadence.
AT THE SEAMS by Kimya Dawson
1.
Left hands hold the leashes
and the right hands hold the torches,
And Grandpas holding shotguns
swing on porch swings hung on porches,
And the Grandmas in their gardens
plant more seeds to cut their losses,
And the poachers,
with the pooches
and the nooses,
preheat crosses.And the pooches see the Grandpas
and they bare their teeth and growl,
While their owners turn their noses up
like they smell something foul,
And they fumble with their crosses
and they start to mumble curses,
And they plot ways
to get Grandpas
off of porches
into hearses.But the Grandpas on the porches
are just scarecrows holding toys,
And the Grandmas in the gardens
are papier-mâché decoys,
While the real Grandmas and Grandpas
are with all the girls and boys
Marching downtown to the City Hall
to make a lot of noise,
Saying:Hands up. Don’t shoot. I can’t breathe.
BLACK LIVES MATTER. No justice No Peace.
I know that we can overcome because I had a dream-
A dream we tore this racist broken system apart at the seams.2.
Sometimes it seems like
we’ve reached the end of the road
We’ve seen cops and judges sleep together
wearing long white robes.
And they put their white hoods up,
Try to take the black hoods down,
And they don’t plan on stopping
til we’re all in the ground.Til we’re dead in the ground
or we’re incarcerated
‘Cause prison’s
a big business form
of enslavement
Plantations that profit
on black folks in cages
They’ll break our backs
and keep the wages.It’s outrageous that there’s no place
we can feel safe in this nation
Not in our cars, Not at the park,
Not in subway stations,
Not at church, The pool, The store,
Not asking for help,
Not walking down the street,
So we’ve gotta scream and yell:Hands up. Don’t shoot. I can’t breathe.
BLACK LIVES MATTER. No justice No Peace.
I know that we can overcome because I had a dream-
A dream we tore this racist broken system apart at the seams.3.
You tweet me my own lyrics,
Tell me to stop
Letting a few bad apples
ruin the bunch.
Don’t minimize the fight
comparing apples to cops
This is about the orchard’s poisoned roots,
not loose fruits in a box.Once the soil’s been spoiled,
the whole crop’s corrupt.
That’s why we need the grassroots
working from the ground up.
And we look to Black Twitter,
to stay woke and get some truth,
‘Stead of smiling cops
and black mugshots
from biased corporate news.‘Cause if you steal cigarillos,
or you sell loose cigarettes,
Or you forget your turn signal,
will they see your skin as a threat?
Will they KILL you, And then SMEAR you,
And COVER IT UP and LIE?
Will they call it “self defense”?
Will they call it “suicide”?Hands up. Don’t shoot. I can’t breathe.
BLACK LIVES MATTER. No justice No Peace.
I know that we can overcome because I had a dream-
A dream we tore this racist broken system apart at the seams.4.
Decades of cultivation start
from tiny seeds that were once planted.
And we mustn’t take the gardens that
our elders grew for granted,
Though it is up to our youth
how new rows sown are organized,
Because movements can’t keep moving
if old and unsharpened eyes
Can’t see the need to hear
what those on the ground hafta say,
In Ferguson and Cleveland,
Staten Island, The East Bay,
Charleston, Phoenix,
Detroit, Sanford Waller,
Seattle, Los Angeles,
Chicago, Baltimore.Climbing flagpoles, Taking bridges,
Locked together to the BART,
Speaking up about injustice
in our music and our art,
Storming stages to ask candidates
when they’re gonna start
Really DIRECTLY addressing issues
BREAKING OUR HEARTS.Hands up. Don’t shoot. I can’t breathe.
BLACK LIVES MATTER. No justice No Peace.
I know that we can overcome because I had a dream-
A dream we tore this racist broken system apart at the seams.Hands up. Don’t shoot. I can’t breathe.
BLACK LIVES MATTER. No justice No Peace.
I know that we can overcome because I had a dream-
A dream we tore this racist broken system apart at the seams.5.
And if the altars are torn down,
we’ll just keep on placing flowers
For the boy whose body was in the road
FOR MORE THAN FOUR HOURS.
We will honor the dead
of every age and every gender
‘Cause we can’t just have it be
the brothers’ names that we remember.Oh black boys with skateboards,
and black boys with hoodies,
And little black girls who
are on the couch sleeping,
And all of the black trans
women massacred,
Too many black folks killed and brutalized,
And there’s no justice served.After the lynchings of our people
by the murderous police,
Who stand like hunters ’round their prey
gasping helpless in the street,
Feet from the TEEN SISTER they tackled
and locked handcuffed in the car,
Feet from her TWELVE YEAR OLD BROTHER DYING —WHILE NO ONE DID CPR…
6.
And we’ll keep on planting flowers,
and we’ll fight until the day
That we don’t have to pick them all
to put them all on graves.
Yeah we’ll keep planting flowers
and we’ll fight until the day
That we don’t have to pick them all
to put them all on graves.Hands up. Don’t shoot. I can’t breathe.
BLACK LIVES MATTER. No justice No Peace.
I know that we can overcome because I had a dream-
A dream we tore this racist broken system apart at the seams.


Was ANYBODY going to stop the unfettered lynching of people of color in America? Did President Obama ever deliver anything more than a eulogy? Few police officers are being convicted or even indicted. Videotaped killings of black men by lawmen have become so common, those disseminating the videos are being accused of harboring fetishes. People expressing offense online are being shamed for being clicktivists, though clearly the only fuels firing public outrage are the videos. Meanwhile Black Lives Matter spokespeople have become so jaded they ridicule the efficacy of street protests. And now everyone is condemning the lone direct action taker.


Might a satirist consider exercising SOME discretion in one’s pursuit of Freedom of Speech? AS IF that is Charlie Hebdo’s lofty ideal. Heralded as
Western interest are desperate to create public consent for airstrike interventions in Africa, having failed with their KONY 2012 campaign, the Rwanda remembrance handwringing, ad infinitum. Now Nigerian insurgents have thwarted a military “rescue” of two hundred schoolgirls abducted by Boko Haram by announcing that the girls will be put up for sale. The western media is spinning a horror story of sexual bondage while trying to ignore the obvious solution: purchase the girls. It’s even cheaper than euthanizing them with drone strikes. The US kills dark-skinned children by the thousands without a care. I have yet to hear anyone consider the circumstance of these Nigerian schoolgirls before they were abducted? Can we know the Chibok girls weren’t repossessed by dissident factions of their own communities? The White House hashtag campaign #bringbackourgirls seems dreadfully Freudian. The kidnapped girls were liberated from our clutches and we want them back. BOKO HARAM is an Islamic movement which opposes Western indoctrination. While it’s labeled “terrorist” outside of Africa, certainly its methods are no worse than those of the Western-imposed dictators ravaging Africa for corporate extraction interests. Western schools in Africa are entry points for providing the labor pools for Capitalism. Are African children better off in our recruiting mechanisms or out of them?
I’ll bet curators thought it a measure of truth and reconciliation that the Ludlow presentation was sponsored by a local extraction industry business. Black Hills Energy trades not in coal but natural gas. In fact they’re among the frackers tearing up Southeastern Colorado. I think the irony more likely suggests how the UMWA’s starring role was left on the cutting room floor. There are generic mentions of “the union”, as at right, keeping a ledger of which families were assigned tents, but only in the fine print is the UMWA named as owning the ledger.

This American Life host Ira Glass tried to pull an Oprah on playwright Mike Daisey, to dress him down on creative license Daisey took with an excerpt of a monolog aired on TAL titled Mr. Daisey and the Apple Factory. The debunking came courtesy of American Public Media’s laughable “Marketplace” Wall Street PR engine, which Glass pretended were reliable experts on the subject of China’s apparently resolved labor abuses. That’s not even funny. This “retraction” reeks even upwind, and Apple’s having become the most highly valued corporation probably explains Glass’s uncharacteristically virulent condemnation. Shameful is what it was, and I hold it unforgivable, for the pretend-affable Glass, so-called folk archivist, to scuttle someone else’s too successful artistic quest for fundamental truth.