Even the nuanced critiques of the CHARLIE HEBDO COMEUPPANCE in Paris begin by disclaiming “of course the cartoonists didn’t deserve to die.” But I wonder, have none among us yet earned our adversaries’ judgment? We western imperialists are quick to decide which of our opponents deserve to die, even as mere collateral in our preemptive justice-dealing. How uncharitable of our exceptionalism to think that only we can direct extrajudicial assassinations. Paris is a front line like any other noncombatant zone marauded by US drones. Our intelligence agencies aren’t bothered to explain who they target and why. Contrast our existential rationalizations with the concrete evidence, much of it rubble, with which anti-imperial defenders can condemn us.
Tag Archives: cartoonist
NON, JE NE SUIS PAS CHARLIE. Charlie Hebdo publie des connerie racistes
Might a satirist consider exercising SOME discretion in one’s pursuit of Freedom of Speech? AS IF that is Charlie Hebdo’s lofty ideal. Heralded as court jesters, I would submit they are weapons of cultural imperialism, the point men propagandists in a very real, genocidal war. Playing along with the corporate spin that the Paris gunmen simply had no sense of humor, I can hardly imagine that American Taliban, many of our armed soldiers among them, would stomach similar desecrations of their Lord Jesus. One has merely to Google “Charlie Hebdo” to see the paper’s unrelentingly racist attacks on Islam. I do not condone executing their cartoonists, but I’m not about to stand in solidarity with their foolishness and bigotry, or their condescending secular ridicule in promotion of Western fascism.
Here’s to the ladies who lunch – everybody laugh
“Ladies Who Lunch” used to mean the idle spouses of financially successful husbands, as one New Yorker cartoonist fondly dubbed them, his Grand Dames, until Broadway in the mid-seventies where Stephen Sondheim subverted the idiom for Elaine Stritch’s COMPANY showstopper which exploded the pretense of the ladies’ self-serving philanthropy. Forty years on, out in the provinces, the expression adorns a Colorado Springs radio show on what is an otherwise erudite classical music station, at lunchtime, for ladies. Cultural illiterates too, probably. Imagine thinking that Titanic means big like Titan, absent the hubris. My neighbors could happily move back to the farm after they’d seen Paree, wondering what idiot decreed “you can’t go home again.”
Here are the lyrics since you missed them.
Here’s to the ladies who lunch
By Stephen SondheimHere’s to the ladies who lunch–
Everybody laugh.
Lounging in their caftans
And planning a brunch
On their own behalf.
Off to the gym,
Then to a fitting,
Claiming they’re fat.
And looking grim,
‘Cause they’ve been sitting
Choosing a hat.
Does anyone still wear a hat?
I’ll drink to that.And here’s to the girls who play smart–
Aren’t they a gas?
Rushing to their classes
In optical art,
Wishing it would pass.
Another long exhausting day,
Another thousand dollars,
A matinee, a Pinter play,
Perhaps a piece of Mahler’s.
I’ll drink to that.
And one for Mahler!And here’s to the girls who play wife–
Aren’t they too much?
Keeping house but clutching
A copy of LIFE,
Just to keep in touch.
The ones who follow the rules,
And meet themselves at the schools,
Too busy to know that they’re fools.
Aren’t they a gem?
I’ll drink to them!
Let’s all drink to them!And here’s to the girls who just watch–
Aren’t they the best?
When they get depressed,
It’s a bottle of Scotch,
Plus a little jest.
Another chance to disapprove,
Another brilliant zinger,
Another reason not to move,
Another vodka stinger.
Aaaahhhhhh!
I’ll drink to that.So here’s to the girls on the go–
Everybody tries.
Look into their eyes,
And you’ll see what they know:
Everybody dies.
A toast to that invincible bunch,
The dinosaurs surviving the crunch.
Let’s hear it for the ladies who lunch–
Everybody rise!
Rise!
Li’l Abner on the debt ceiling panic
When the satiric cartoon Li’l Abner was made a musical on Broadway, robber baron General Bullmoose sang Bring back the good old days, lamenting the regulation of capitalism, pondering:
“How can you break the market?
How?
The SEC will not allow
…one little panic.”
Today with graft unregulated and un-policed, the American public is made to panic for every swindle, to extort from them bank bailouts, tax breaks for the rich, and now cuts to “entitlements” such as poverty class pensions and medical care.
The Li’l Abner strip may not have had the legacy of Pogo, or longevity of Gasoline Alley, but it was the Doonesbury of the 30s and up to the 70s. In the introduction to From Dogpatch to Slobbovia, a little compendium of Abner scenarios, cartoonist Al Capp said this about his artistic intentions:
“to create suspicion of, and disrespect for, the perfection of all established institutions. That’s what I think education is. Anybody who gets out of college having had his confidence in the perfection of existing institutions affirmed has not been educated. Just suffocated.”
Avid fans included Queen Elizabeth, Charlie Chaplin and John Steinbeck who wrote:
Capp is probably the greatest contemporary writer and my suggestion is that if the Nobel Prize committee is at all alert, they should seriously consider him.”
As a side note, the Broadway cast of Li’l Abner included the character Stupefyin’ Jones, played by Julie Newmar aka Catwoman, and Appassionata Von Climax, played by Tina Louise, Ginger of Gilligan’s Island –if you always wondered how the character Ginger could not have failed to be a real “movie star.” Tina Louise began her career on Broadway in the 50s and was age thirty-something when the TV series aired. Imagine green-lighting an actress of that age today to play a sex symbol, yet Louise became as yet TV’s most enduring sex symbol.
Ahmadinejad’s Triangle of Wickedness
When Iranian particle physicist Masoud Ali Mohammadi was assassinated last week with a remote control bomb, Iran accused the west and its clandestine operatives, a consortium Mahmoud Ahmadinejad called the “Triangle of Wickedness.” There would be more discussion about what he meant, if western pundits weren’t embarrassed by the expression’s apt rebuke to Bush’s “Axis of Evil.” It defines Iran’s own War on Terror.
The GWOT is a war on Islam, pure and simple, because you can’t have a war on an emotion. Although, terror certainly describes the military strategy of the offensive we’ve launched against Muslims. In truth, GWOT stand for Global War OF Terror.
What are drones and covert hit squads but state sanctioned terrorism? If 9/11 was evil, we should agree that terrorizing millions as a result is pure wickedness. Even if another skyscraper attack loomed, I doubt that terrifies even most Americans.
I wonder if a similar preponderance of the populations of Afghanistan, Pakistan, Iraq, Yemen or Somalia feel confident they will not be collateral to some drone attack or nighttime raid. Likewise, is anyone at all living in Lebanon, Palestine, Egypt or Sudan safe from kidnap by the intelligence services of Israel?
What was Axis of Evil but a retread of the label we assigned to our WWII enemies? Axis was a perfectly appropriate geographic definition for the belligerent (say we) nations around which the rest of the world waged war. And since moral relativism, evil can rise nevermore above banal. Who didn’t laugh when Bush sought to strike terror with the term? No doubt Axis of Evil came from the same Madison Avenue as War on Terror and Nine Eleven, tested on focus groups not meant to think to hard on them.
Perhaps we’ve grown too sheepish to look for meaning in political slogans. “The Audacity of Hope” springs to mind. Pundits are certainly drawing a blank on Triangle of Wickedness. Dilbert cartoonist Scott Adams took a crack at it, comparing axis and triangle as meaningless pith, proving that a cynical office humorist brings nothing to the table if it’s not a conference table. He joked about losing something in the translation, but dismissed the “triangle” as the US, Israel and Miscellaneous.
It’s interesting that we’re looking for that third angle to be a nation, even though the asymmetry of our war on terror allows that foes are not necessarily sovereign states. Ahmadinejad defined the third component of our wicked triumvirate as the clandestine extra-judicial branch; the not insignificant power wielded by the CIA, Mossad, military intelligence, and the unseemly work it sub-contracts.
It may be that the translation of triangle failed Ahmadinejad. To me he’s describing a trinity: the father, son and holy ghost. They serve each other, one of them invisibly, except for the evidence of its deeds.
And don’t you just love “wickedness?” It ascribes a motive much more human than evil, entirely unholy.
Shit, crap, barf, crud drek, merde & Zoko
Dark wit Gahan Wilson drew these cartoons in 1970 and 1976, illustrating an awareness of industrial duplicity many Americans have yet to fully grasp. The bankruptcy of processed nutrition, and the depravity of marketers.
Oliphant the Islamofascist?
Pat Oliphant might be the world’s best known cartoonist. A recent cartoon of his has got the Jewish State First crowd all up in arms about its supposed antisemitic (read anti Jewish) character! See Oliphant Gaza cartoon denounced by Simon Wiesenthal Center
Has this cartoonist, Pat Oliphant, all along been a sneaker cell Islamofascist? You be the judge. What do you think? Also see Focus on Gaza – The Spin Battle – 10 Apr 09 – Part 1 on youtube.
Murdoch puts Obama on public notice: white men licensed to kill bad monkeys
The page in the New York Post before this cartoon featured a photograph of President Obama signing [writing] the Stimulus Bill. Putting aside the offensive connotation, does the cartoon work on any level? Is there a joke in linking the Chimpanzee gone native in Connecticut to the Stimulus Bill? What is it?
Is the cartoonist drawing on a third association, to the big laugh line from Die Hard, when an helicopter full of FBI guys, snotty agents who didn’t want the assistance of our hero, explodes, and an LAPD regular says: “I guess they’ll have to get some more FBI guys.”
What is it? The Stimulus Bill was written by a monkey? It was argued and reshaped by a dueling phalanx of legislators. It may have become disfigured, but was it by any stretch engineered by a monkey?
Certainly the moneyed class, which Murdoch represents, objects to giving any of the treasury to middle America. It can go to banks, or CEOs, or in the form of tax cuts to the multi-billionaires, but craft an economic solution that puts jobs or financial relief in the hands of ordinary people and the corporate press is not interested. So the bill author would be a bleeding-heart, or a sentimentalist, or Rainman for that matter. But where does the analogy work as a monkey?
A chimp-faced lampoon worked for Bush, because of the resemblance, and the mental acuity, and verbal skills. The Stimulus Bill can be plenty of wrong things, was it dumb?
II.
Here’s the apology the NYPost offered for their cartoon. What they said, or left unsaid, certainly didn’t match their bad taste to argue their cartoon wasn’t about Obama, but naming the piece THAT CARTOON.
Wednesday’s Page Six cartoon – caricaturing Monday’s police shooting of a chimpanzee in Connecticut – has created considerable controversy.
It shows two police officers standing over the chimp’s body: “They’ll have to find someone else to write the next stimulus bill,” one officer says.
It was meant to mock an ineptly written federal stimulus bill.
Period.
But it has been taken as something else – as a depiction of President Obama, as a thinly veiled expression of racism.
This most certainly was not its intent; to those who were offended by the image, we apologize.
However, there are some in the media and in public life who have had differences with The Post in the past – and they see the incident as an opportunity for payback.
To them, no apology is due.
Sometimes a cartoon is just a cartoon – even as the opportunists seek to make it something else.
III.
This note came in from Rita Ague:
What’s wrong with this picture?
Of course there’s racism out there, but be careful not to fall victom to spin. Rupert M. is one of the giants in the neo-con coup d’etat. The loss of a free press to military/industrial/corporate interests, and resulting news being turned into spin and hate mongering, is but one of many reasons I’ve put back on my old legal and journalist hats.
We are in such a hell of a mess, and we’re passing that mess onto and into the rest of the world. I’m not sure we can dig ourselves out. We may not see relief, and the kind of change we of good hearts and good minds so long for, come about in our lifetime.
Let’s pray constantly that some Karl Rove and Rupert Murdoch induced bigot, or a neo-con agent posing as same, does not shoot or do away with Obama. The cause of the killing will, of course, be blamed on racism. But the real reason will be the fear the neo-cons have that our new president is going to take away their power and control, and quash their currently-being-exposed incredible greed.
My fear is that Murdoch, by and through his New York Post newspaper, FOX spin and hate channel, and all the other mass media he and his Neocon cohorts own and/or control, is spinning us to believe that some forthcoming assassination, when it occurs, was inevitable and based on a rise on racism and hatred, when it was truly based on more evil, Karl Rove-like Machiavellian (the end justifies any means) manipulation.
God help and protect us all, particularly Barack Obama.
Rita followed it up with this plea to MoveOn.org:
I need your help, Marc, in getting out the warning through Move-On’s far reaching Internet connections:
BEWARE! THE GIANT (military/industrial/corporate) NEO-CON SPIN MACHINE (formerly known as the “liberal mass media”) IS CRANKING UP
OBAMA, BAR THE DOOR!!!
I’m scared, Marc. It wasn’t accidental that the Post ran the dead ape cartoon with it’s deadly caption. Nor is it an accident that we are suddenly hearing more and more about all the racism and all the ‘racist’ assassination attempts being planned and made on Obama.
My intuition/precognition will be supported if and when we hear more of this racism and hate against “The Man” jive. As the old advertising saying goes: ‘When you think they’re tired of hearing about it, that’s when they’re just beginning to catch onto what you’re trying to tell/sell.”
I could be wrong about this “IT WAS A RACIST THING THAT DID HIM IN” campaign, but just in case I’m right, shouldn’t we be safe rather than sorry, and get a Move-On Campaign and heavy duty word of mouth going through the net, that we’re onto what’s being spun in the mass media, and why it’s being spun.
For sometime now, my slogan has been UNDO THE (military/industrial/corporate) COUP! Now I think we’d better come up with a new slogan, and start spreading it, as far and as wide as we can. It could be something like:
KEEP OBAMA ALIVE AND WELL – TELL THE PRESS TO GO TO HELL!
A. Whitney Brown and The Big Picture
Every year or so I search online to see what cartoonist Bill Watterson might have decided to do since putting Calvin and Hobbes to bed in 1995. I showed less diligence with another favorite social satirist whom I’m thrilled to discover has returned to the spotlight. He appeared reclusive, it turns out he’s been mouthing off to great effect on Daily Kos! I can’t describe my giddy thrill to see A. Whitney Brown and his insightful Big Picture again.
In the 1980s, A. Whitney Brown was the brilliant SNL Weekend Update contributor, the archetype for David Spade, waspish and unapproachably sharp. But Brown’s deadpan sarcasm and contrarian wit elevated the public discourse above the comedy, akin to Lenny Bruce or George Carlin, and spoke to the TV audience as if the truth mattered behind the current event.
Brown published a book based on his SNL segment, THE BIG PICTURE, which remains one of my favorite recommendations. As a used-bookstore owner, I know it sold well because there are a lot of copies still floating around. But like Jack Handy’s Deep Thoughts, or Allen Smith’s Life in a Putty Knife Factory, or Fran Lebowitz’s Metropolitan Life for that matter, the popularity of comedy books does not usually survive into succeeding decades. Whenever I see that a copy might have reached our 50¢ table, I snag it to take home. Today I’m going to revisit that stash and make sure to redistribute it with the good news.
You can catch Brown on YouTube, explaining why he still supports the troops. He’s been involved with Air America Radio, the Daily Show -of course, and his own projects at myeverything.com and more.
THE BIG PICTURE still has to my mind the most lucid explanation of the economic crime that is the National Deficit. Unless Brown can get his title back in print, I hope he releases it to the Gutenberg Project, to reach everyone again. Here’s a start:
We live in a nation of 25 million illiterates. I read that in USA Today. That’s a scary thought, one out of ten adult Americans can’t even read USA Today. What are they all going to do in life? They can’t all write for it. Maybe they can dictate the editorials.
—-A. Whitney Brown, The Big Picture
Strength in numbers
Two German newspaper have joined a leading French newspaper in reprinting the controversial Danish caricatures of Islam’s prophet Mohammed. They are acting in solidarity with the Danish paper whose actions provoked an international boycott of Danish products. This is how collective action is supposed to work. Speak out, and if you’re threatened, be joined by another voice and then another, until there would be too many voices to silence.
Isn’t it interesting that the U.S. is speaking out against the unified actions of the Europeans? Perhaps it is not surprising that American fundamentalists are coming to the defense of Islamic fundamentalists.
A survey of Newspapers shows that Western voices are dismissive of the notion that the cartoons should be found so offensive. Muslim papers demand apology yet do not condone the violence. Perhaps surprising to many, Palestinian papers are calling for moderation among Muslims.
I worry that this entire tempest is going to be used to show the volatility of Islam. This will be fuel for the argument that Iran must under no circumstance be allowed to have nukes.
2-8 UPDATE
The Americans and British are now accusing Iran and Syria of inciting the violence. Meanwhile a French paper is printing additional provocative cartoons.
Now the Islamic voices are labeling this provocation as Zionist. An Iranian paper is retaliating by soliciting contributions from cartoonist to lampoon the greatest -and perhaps only- Western taboo, the Holocaust. While I deplore this escalation, the cartoons should prove interesting. They certainly have hit on a taboo which the West cannot countenance.
Since the Enlightenment I think to the western mind freedom of expression is revered. We can tolerate our Jesus depicted as a bald transvestite. We can burn our flag, even piss on it. We have no image that is sacrosanct, except the victims of the Holocaust.
It will be interesting to see if Europeans or Americans can get a dose of what it feels like to be injured by a cartoon. Can you even imagine making fun of a Holocaust victim?
When Anne Frank is depicted at the wheel of a bulldozer, crushing Palestinian children, even maybe unwittingly (hopefully), then we’re probably going to see escalation.