Denver art student informs Tale of Two Hoodies with Goya’s Third of May 1808. This KKK cop executes the black child.

A Tale of Two Hoodies
DENVER, COLORADO- Here’s what the Denver Post article didn’t explain about the Denver high school art student who was pressured to remove her controversial piece from public display. Where was it being shown? At the Wellington Webb Building. That’s not irrelevant because it’s where viewers became offended. You could go inquire about the incident, if you knew where to ask, or where to protest the work’s removal. The WELLINGTON WEBB BUILDING downtown on Colfax. What’s so controversial, the scene is real isn’t it? There’s more.

The student’s drawing is essentially a reproduction of Michael D’Antuono’s 2014 piece “A Tale of Two Hoodies” which still sparks outrage. Missing in this version is the bag of Skittles which the black child offers the cop, locking the two figures in a standoff. Or obviously a mugging. The Skittles of course recalls Trayvon Martin and we know how that ended. The hands in the air references “Hands Up Don’t Shoot” and Michael Brown who shared the same fate.

Original 2014 workAll else about the Denver student’s contextualization of D’Antuono’s work is the same, the confederate flag uncovered from beneath the wallpaper of Old Glory. In the student’s piece the American flag appears worn through. In D’Ontuono’s original the racist flag has bursted through. The cop and hood are the same, except in the original the cop was maybe more fat.

What’s also missing in the DenPo whitewash is the context of the unamed student’s assignment. She was tasked with contextualizing TWO works. The influence of the second piece is not as apparent as the first. The boy’s hands-up wasn’t merely recalling the mantra of the Black Lives Matter movement, it was evoking the student’s other chosen influence, Goya’s famous “The Third of May 1808.” In that iconic work, a firing squad is executing a rebel with outstretched arms.

KNOWING THIS, you can see the student’s policeman has drawn his gun for an EXECUTION, not an arrest. The boy is not following an order or raising his hands in surrender. If even in resignation, this boy’s upheld arms communicate a plea. How does that inform you about this young Denver student’s understanding of “Hands Up Don’t Shoot” or “I Can’t Breathe”?

The officer’s Klan hood certifies that this shooting is a lynching. Many lynchings in the traditional sense were perpetrated by deputized citizens.

Denver Chief of Police Robert White said of the student’s work: “I’m greatly concerned about how this painting portrays the police.” Well sure, and Chief White didn’t know the half of it.

Should you go complain at the Wellington Webb Building? The Denpo article mentions Chief White intends to “have a conversation with the student and her parents.” You may want to caution that the Office of the Independent Monitor be invited attend that conversation, as a ride-along so to speak, to assure it isn’t the one-sided transaction to which we are becoming accostomed and inured.

Does Chief White think that racially enhanced officer involved extrajudicial executions should not be a student’s concern? He needs to look past what offended him and try to understand the art piece before he forces a conversation. Or what kind of conversation will it be. The student has already made her statement.

FOOTNOTE:
Here’s what Michael D’Antuono had to say about his original work. I’ve updated the original broken links:

This painting, created during the Trayvon Martin case, symbolizes the travesty of racism in the criminal justice system. It has been the object of much controversy and censorship. In 2014, I was Incensed that George Zimmerman was trying to profit from his notoriety for killing an unarmed teenager by auctioning his painting on eBay. In response, I put this piece on eBay with half of the proceeds going to the Trayvon Martin Foundation. The very same day Zimmerman sold his painting for $100,000, and as soon as it became evident that my piece was on par to pass Zimmerman’s mark, eBay shut mine down for violating their strict policy of not selling anything on their site glorifying hate groups or showing anything symbolic of the Klu Klux Klan. The hypocrisy of eBay was that at the time they killed my auction, they were selling over 1500 other items related to the KKK. Misrepresenting it’s meaning, a hate group co-opted the piece in 2015, passing out flyers in Southfield, Michigan. In 2016, a high school teacher in Nevada, was suspended for using the painting to inspire critical though.

The Wondrous Tale of Brer Lamborn, Brer FOX & Obama the Tar Baby. Uncle Remus and Racism in Colorado Springs.

COLORADO SPRINGS- If US Rep. Doug Lamborn (R-CO) remembered one thing from the Uncle Remus stories, it was not to touch that Tar Baby! You know, the one Brer Rabbit mistook for a cute black infant who would not tip his hat to his better. Or was that a Porch-Monkey? Colorado’s 5th District is unclear about the distinction if the local media and Fox News are to be believed. Either term refers to a poor person whose sticky problems become your “quagmire” if you ignore your natural prejudice to their skin color and you let them touch you. Can a representative of bigots be bothered to know if a racial slur is offensive? According to Lamborn, he can’t. More important, the congressman reiterates –as he professes his apology to people taking umbrage at racism he hadn’t intended to express– is: NOT TO TOUCH THAT OBAMA!
 
To be clear, Doug Lamborn hasn’t apologized to his constituents, he’s only claimed to have sent President Obama a letter, assuring all that Obama, the black untouchable, will have the grace to forgive him as “a man of character”.
 
And so this Uncle Remus tale simply goes on…

The story so far
Lamborn calls black US president a Tar-Baby, public outrage ensues, Gazette newspaper lends support to Lamborn’s excuse that Tar-Baby wasn’t used in racist sense. Protests held by NAACP, community groups and local progressives, all which Lamborn refuses to meet. Lamborn office erects sign NO PROTESTS.

ACT II: Lamborn office calls for his supporters to rally, presumably under the “no protest” sign. His office issues a press release: AP, Fox News, national and statewide outlets report before the fact that LAMBORN SUPPORTERS RALLY. Huffpo and Springs activists scramble to get images of said protest sanctioned despite “no protest” sign, find none. Local TV station KOAA which had depicted rally with a photo, hours before it was alleged to happen, omitted to mention photo was from file, conveniently unfocused and likely of a past year election event.

With every shenanigan, the theme resounds: the Colorado Springs establishment supports what Doug Lamborn said about Obama being a Tar Baby.

Racism in Colorado Springs
No one is in denial about the unsavory support behind Doug Lamborn. So does Colorado Springs support his bigotry?

Does the Tea Party shit in Acacia Park? You should see those clan gatherings, you can’t find a parking space for blocks, then it’s a sea of hate-filled white faces, with Doug Lamborn right there up front.

The comment section of every local media blog overflows with indignation that “Tar-Baby” is being construed to be racist. Commentators assert their preference for Freedom of Speech over Political Correctness.

BTW, Colorado Springs is as segregated as Chicago, with black neighborhoods, churches and schools. Many lives never cross the path of another of different ethnicity, so we’re blameless actually when we conclude there’s no racism here.

Except toward Hispanics, grouped conveniently with illegal immigrants, who don’t count, by definition, according to our favorite definition: legality. Same as used to apply to slaves.

The Pikes Peak region was a hotbed of clan activity in the 1930s, and obviously before that. At the turn of the century, the good folks of Limon had to hold up a lynching, make the poor young black boy wait hours in the November cold because hundreds wanted to come on the train from Colorado Springs to see 16-year-old Preston Porter burned alive at the stake.

Lynchings of Native Americans weren’t even recorded, being as they were, sanctioned as vermin control. It was seldom that white men distinguished themselves by speaking out in defense of Indians. Pikes Peak volunteers rode with Colonel Chivington to commit the Sand Creek Massacre.

Today downtown Colorado Springs boasts a lone statue of an African-American, a William Seymour, among the city notables immortalized in bronze. His is the only likeness made to take off his hat, outdoors, I kid you not.

Speaking of which, that was Tar-Baby’s offense.

Brer Rabbit and the Tar-Baby
Brer Rabbit was passing by the little black figure, and called out a friendly hello. But Tar-Baby wouldn’t answer when spoken to. When he wouldn’t even take off his hat, Brer Rabbit figured he’d teach him a lesson. Apparently, it’s not inappropriate to clobber some status of people if they’ve disrespected you.

Of course that was the only way Brer Fox’s plan was going to ensnare the rabbit, to mire him in the tar.

You might ask, how did Brer Fox know that Rabbit was going to mix it up with the Tar Baby? Would Rabbit have laid his hand on the baby if he’d been white? Would it have mattered if a white baby didn’t answer to his greeting?

Put aside that the Tar Baby expression became a racial slur in itself, the original Tar-Baby character impersonated an African-American child who didn’t show the expected deference to a rabbit.

The accompanying images reflect the changing visual representation of Tar-Baby. He makes his first appearance in an early chapter of the Uncle Remus Tales (as collected by Joel Chandler Harris) called “The Wonderful Tar-Baby Story.” Above is one of the original illustrations by artist A.B. Frost. There Brer Fox creates a “baby” made of tar to lure Brer Rabbit into his clutches.

The next images are from Disney versions. First the animated film SONG OF THE SOUTH, then the children’s books which followed.

Disney famously has not released Song Of The South after its theatrical run. The depictions were too ethnic, and Tar-Baby recalled the black-face entertainment that ought not to have so amused white audiences. Black-face is what passes for a negro face to whites. Similarly, a baby made of tar passes for a negro, but only in exaggeration. Oblivious to many, apparently, is that African-Americans are not by any approximation black. If Brer Fox had made a baby out of milk, would white people confuse its color for their flesh tone?

Disney rewrote the tale for its children’s book series, making the tar baby this time out of glue. Not only that, but they gave him ears to resemble a rabbit. This preempted confusing him for a human baby, black or white. Now Brer Rabbit could be seen taking him for his kin, which of course shifts the premise, and might puzzle some children to wonder why Brer Rabbit is so quick to come to blows.

Uncle Remus
Some will probably ask in earnest: are the Uncle Remus tales racist? No, but their context is complicated. The stories emerged from the plantation South, from storytellers who lived in slavery. The lessons imparted are universal, but the particulars were obviously crafted to help slaves come to terms with their unchallengeable fate. Shall I quote a few passages to see if you get the idea?

Brer Tarrypin, he lay back up dar, he did, des es proud ez a nigger wid a cook possum.
–chapter 10

He scrape it clean en lick it dry, en den he go back ter wuk lookin’ mo’ samer dan a nigger w’at de patter-rollers bin had holt un.
–chapter 17

Dey er mighty biggity, dem house niggers is, but I notices dat dey don’t let nuthin’ pass. Dey goes ‘long wid der han’s en der mouf open, en w’at one don’t ketch de tother one do.
-chapter 27

How about this wrenching bit from A Story of War?

Nigger dat knows he’s gwineter git thumped kin sorter fix hisse’f, en I tuck’n fix up like de war wuz gwineter come right in at de front gate.

From chapter 33: Why the Negro is Black:

ONE night, while the little boy was watching Uncle Remus twisting and waxing some shoe-thread, he made what appeared to him to be a very curious discovery. He discovered that the palms of the old man’s hands were as white as his own, and the fact was such a source of wonder that he at last made it the subject of remark. The response of Uncle Remus led to the earnest recital of a piece of unwritten history that must prove interesting to ethnologists.

“Tooby sho de pa’m er my han’s w’ite, honey,” he quietly remarked, “en, w’en it come ter dat, dey wuz a time w’en all de w’ite folks ‘uz black—blacker dan me, kaze I done bin yer so long dat I bin sorter bleach out.”

The little boy laughed. He thought Uncle Remus was making him the victim of one of his jokes; but the youngster was never more mistaken. The old man was serious. Nevertheless, he failed to rebuke the ill-timed mirth of the child, appearing to be altogether engrossed in his work. After a while, he resumed:

“Yasser. Fokes dunner w’at bin yit, let ‘lone w’at gwinter be. Niggers is niggers now, but de time wuz w’en we ‘uz all niggers tergedder.”

“When was that, Uncle Remus?”

“Way back yander. In dem times we ‘uz all un us black; we ‘uz all niggers tergedder, en ‘cordin’ ter all de ‘counts w’at I years fokes ‘uz gittin’ ‘long ’bout ez well in dem days ez dey is now.

But atter ‘w’ile de news come dat dere wuz a pon’ er water some’rs in de naberhood, w’ich ef dey’d git inter dey’d be wash off nice en w’ite,

en den one un um, he fine de place en make er splunge inter de pon’, en come out w’ite ez a town gal.

En den, bless grashus! w’en de fokes seed it, dey make a break fer de pon’,

en dem w’at wuz de soopless, dey got in fus’ en dey come out w’ite;

en dem w’at wuz de nex’ soopless, dey got in nex’, en dey come out merlatters;

en dey wuz sech a crowd un um dat dey mighty nigh use de water up, w’ich w’en dem yuthers come long, de morest dey could do wuz ter paddle about wid der foots en dabble in it wid der han’s.

Dem wuz de niggers, en down ter dis day dey ain’t no w’ite ’bout a nigger ‘ceppin de pa’ms er der han’s en de soles er der foot.”

And my favorite passage, called Turnip Salad:

“How many er you boys,” said he, as he put his basket down, “is done a han’s turn dis day? En yit de week’s done commence. I year talk er niggers dat’s got money in de bank, but I lay hit ain’t none er you fellers. Whar you speck you gwineter git yo’ dinner, en how you speck you gwineter git ‘long?”

“Oh, we sorter knocks ‘roun’ an’ picks up a livin’,” responded one.

“Dat’s w’at make I say w’at I duz,” said Uncle Remus. “Fokes go ’bout in de day-time an’ makes a livin’, an’ you come ‘long w’en dey er res’in’ der bones an’ picks it up. I ain’t no han’ at figgers, but I lay I k’n count up right yer in de san’ en number up how menny days hit’ll be ‘fo’ you ‘er cuppled on ter de chain-gang.”

“De ole man’s holler’n now sho’,” said one of the listeners, gazing with admiration on the venerable old darkey.

“I ain’t takin’ no chances ’bout vittles. Hit’s proned inter me fum de fus dat I got ter eat, en I knows dat I got fer ter grub for w’at I gits. Hit’s agin de mor’l law fer niggers fer ter eat w’en dey don’t wuk, an’ w’en you see um ‘pariently fattenin’ on a’r, you k’n des bet dat ruinashun’s gwine on some’rs.”

What about “nigger”?
When Russel Means writes of today’s economic and anti-democratic troubles, and addresses America’s newly impoverished middle class by saying Welcome to the Reservation, this is the wisdom I think he’s looking to impart. Welcome to niggerdom, Nigger.

With that word now struck from Huckleberry Finn, the concept of “nigger” becomes harder to grasp and can’t teach us its lesson.

Listen to Uncle Remus talk about what it means to be a lowest class being, beneath the interest of humanity, untouchable, as government functionaries like Doug Lamborn would prefer the underclass laborer remain.

It’s against the moral law for niggers to eat when they don’t work. AND
I ain’t handy with figures, but I lay I can count on one hand how many days it’ll be before [“knocking around” will land you niggers] in the chain-gang.

I suggest you reread that last passage of Uncle Remus in its original. Now I’ll try my hand at the last half of that phrase:

It’s against the moral law for niggers to eat when they don’t work, and when you see them apparently fattening on air, you can just bet that ruination is going on somewhere.

Our prejudice against tent-dwellers

Great Depression Okies living in tents
What do home-enabled Coloradans have against disadvantaged people forced to live in tents? The Great Depression saw migrant workers having to subsist under canvas, striking miners have been forced from their homes and into camps in Ludlow and before that Cripple Creek. And of course the first Colorado tent-dwellers to get everyone’s panties in a knot were the Native Americans who held original claim to the territory.

The above photograph is from Dorothea Lange’s historic series which documented the lives of migrant workers as they fled the Dust Bowl for the fertile agricultural plantations of California. The woman at right is the iconic “Migrant Mother” known for a more famous closeup. I chose this shot because it makes clear that she and her seven children were living in a tent.

Colorado was one of the states which the Okies had to cross in search of work in California. As depicted in Grapes of Wrath, Colorado and Arizona only begrudgingly tolerated the vagabonds, making sure they didn’t linger and kept on their way.

Do we fear the poor because they threaten our own sense of prosperity? There but for the grace of God, go ourselves? We shoo them along lest their itinerant ways tax our charity, or they take the righting of economic inequity into their own hands. The Europeans have always shunned the ever-homeless gypsies. Landless people can’t be trusted, they’re in the opposite position of what we look for in businesses, reliable to the extreme of being “bonded.” People unattached to assets don’t have capital to bond them with responsibility.

Depression era photograph by Dorothea LangeBefore Coloradans were chasing off out-of-state migrant workers, yesterday’s illegal immigrants, they were offended by earlier indigent encampments. When miners struck in Colorado’s southern coal fields, the mine owners evicted them from the company-owned houses. The unions were left to build a tent city in Ludlow to put pressure on the industry to accept some labor demands. The standoff was spun as a standoff between the ungrateful miners, most of them recent immigrants, and a nation’s critical source of heating fuel. The Colorado population was roused to man a militia and beat the miners into submission. As much as consumers feared an interrupted coal supply in the record cold of the winter of 1914, imagine the miners enduring in their tents. In the end, we all know the result: the Ludlow Massacre and the unions were defeated.

The gold miners fared slightly better in their 1894 strike to preserve the eight hour day. When they closed down the mines and camped on site to keep them shut, the folks of Colorado Springs were rallied to form a near 2000-strong army to go attack the ingrates. Fortunately the miners escaped a battle, but the common population’s prejudice against the laborers in their tents was the same.

Could these have been related to the sentiments which inflamed Colorado Territory settlers in 1864, enough to go after the few remnants of Native Americans encamped along Sand Creek?

The Pikes Peak region plays an ignoble role in all of these examples. Men from Colorado Springs and Colorado City formed the population from which participants were drawn for Chivington’s raid against the Cheyenne, the private army which marched against the Cripple Creek gold strike, and the militia which Rockefeller mobilized to torment the tent city of Ludlow. Colorado Springs was a hotbed of Klu Klux Klan activity in the 1930s, epitomizing local xenophobia.

When Colorado Springs city councilman speak of fielding calls from constituents angry about the growing homeless encampments, I cannot help but think of our legacy of intolerance of people deemed lesser than us. Colorado Springs has always been ripe for bigotry and hatred.

Not so long ago our city was the crucible for Amendment Two which sought to deprive homosexuals of protection from discrimination. More recently fear-mongering about immigration from Mexico made Colorado Springs fertile for recruiting gunmen for the Minutemen, to make pilgrimages to the Mexican border with the promise of getting to shoot Mexicans pell-mell. Since the election of President Obama, we’ve seen a phenomenal growth of Tea Party enthusiasts, white bigots determined not to have their taxes spent by a nigger.

What a sorry racist lot we’ve been, anti-labor, anti-progressive and anti-poor. Somewhere in the past there must have been city leaders who defied the simple-minded xenophobia of our historic population, otherwise all our statues of municipal heroes would be wearing clan gowns. Hopefully with the current bloodlust to run off the victims of our current depression, city politicians will lead my setting a higher moral example.